“Haw-w-w-w-w!” That sound can only mean one thing—that Bachelor of Artifice, Knight of Calamity and an alumnus of Doctor Merlin’s Camelot College for Conjurors is back—Yes it’s the marvel from Boonetown, Iowa himself—Lieutenant Phineas Pinkham! Red Riding Hun has been terrorizing the trenches and the Boonetown marvel concocts an ingenious plan to bring an end to their reign of terror!

Mice are bad. Trained mice are worse. But trained mice in the hands of Phineas Pinkham made even the long-suffering Garrity turn the color of an Irish flag.

• Download “Pfalz Teeth” (September 1935, Flying Aces)

Amidst all the great pulp thrills and features in Sky Fighters, they ran a true story feature collected by Ace Williams wherein famous War Aces would tell actual true accounts of thrilling moments in their fighting lives! This time we have Lt. Adolphe Pegoud of the French Flying Corp’s most thrilling sky fight!

Adolphe Pegoud was a famous flyer before the war began. In 1913, flying a tiny Bleriot monoplane, he astonished the world by doing a series of intricate air maneuvers. Later, he made an upside down landing, the first and to this day the only aviator deliberately to perform such a stunt.

With Pourpe, Garros, Vedrines, and several others, he made up the first French air squadron to see action in the World War. In those days planes, frail contraptions of wood, linen and wires, were not armed. The pilots usually carried a rifle or shotgun when going aloft, and sometimes darts and hand grenades. Plane to plane fighting was unknown. The crafts were used for scouting. Pegoud changed all this when ho initiated the first air battle. He tells about it in the account below.

THE FIRST AIR BATTLE

by Lieutenant Adolphe Pegoud • Sky Fighters, October 1934

WHILE I had always carried arms while on my trips over the Boche lines and many times had passed within fifty or a hundred meters of Taube pilots, I had never thought to try out my marksmanship on the flying targets. But on this day when I was ordered aloft, I decided that I would allow no more Taube pilots to pass me by so nonchalantly. At least, I was going to let them know that there was a war taking place.

And lucky for me, I encountered my first Taube the same day I was filled with that resolve. I met him just beyond the Fortress of Verdun. He was just a speck when I first glimpsed him off to my right, but I ruddered toward him, flying as fast as my machine would carry me. At one hundred meters distance, the Taube pilot stood up in his seat and waved at me. That fact made me mad. Here I had come to kill him (if possible) and he greeted me with that friendly gesture. I waved my Lebel in the air over my head and shouted at him in French to beware. Of course, he could not hear because of the noise of the engines.

He continued on past me and I swung around and followed him. This maneuver seemed to surprise him. I continued on, coaxing my machine to its greatest speed. Finally I was not more than ten meters to the rear of his. I shouted again, made faces, then put the rifle to my shoulder and fired a bullet over his head to let him know my intentions. Though I had firmly resolved to shoot at the pilot, I realized now that I could not, for he wan apparently unarmed and had been so friendly.

When I fired at him, he must have seen the smoke from my Lebel or saw it flash. He knew then that I was not fooling and tried to escape from my plane by streaking down toward the earth. But I followed intently, my mind occupied now, not on shooting the pilot, but damaging his machine so it would have to land, thus ha would be unable to accomplish his mission.

I stood up in the pit and fired two shots at his gas tank, but nothing happened. Then I had to sit down and maneuver my plane again. The Taube pilot was zigzagging. I got closer and stood up again. This time, he too, stood up, and hurled a hand grenade back at me. But his aim was wild. It hit on the ground far below and exploded there sending up a puff of blue smoke. I aimed my rifle and rapidly fired all my remaining shells at the gas tank again.

Now I saw that something had happened. The Taube began to wobble crazily. The Boche pilot seemed frantic. Finally the motor stopped turning. Then I saw what had happened. One of my bullets had cracked the propeller, and it had shattered, throwing the Taube into terrific vibration and forcing the pilot to cut his engine.

He had to go down. I wished then that I had not been so hasty, for as it was he landed inside his own lines. If I had waited, I could have captured him by forcing his landing on our side. A fresh Taube and its Boche pilot would have been a great trophy to take home and show my mates.

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. This time Mr. Blakeslee brings another of his “scrambled time” covers pitting planes of the great war against modern day planes (those from the 1930’s), from the January 1936 issue of Dare-Devil Aces it’s The Handly-Page Heyford!

ANOTHER scrambled time cover. As you see, it is an impossible situation. We mean, a war-time Albatross and a modern bomber! But in order to show the comparison between the ship used during the World War and the ship of today, we have taken liberties with Father Time. The Albatross seems to be on the top of a loop, how he got there we’ll let you figure out. And of course, the Albatross could never have overtaken the bomber from the rear. Note the size of the pilot in the bomber, it is a huge ship, the little Albatross (big on the cover because it is nearer) could almost land on the wing of the bomber. Huge as this ship is, it could have flown circles around the Albatross. As a matter of fact, there are few pursuit ships even today that could overtake it, which fact, at the time of writing, seems to be worrying a few countries. If a modem pursuit ship cannot overtake a modern bomber, what chance would the war-time ship have? How can these big bombers be intercepted? Well, that remains to be seen, we may be finding out by the time this magazine is in your hands, what with all this war talk.

But to return to the cover, I suppose you have recognized the bomber, but who would ever guess that it is the offspring of the war-time Handly-Page? It no more resembles its “parent” then the first Handly-Page resembled the war-time Handly-Page. If you want a laugh some day, look up pictures of the first Handly-Page.

This ship is the Handly-Page “Heyford” previously known as type 38. It appeared on the scene in 1933 and is still being produced. Its most striking characteristic is the way the fuselage is slung immediately beneath the upper wing. This arrangement gives an unrestricted field of view to the pilot. Machine gunners are located in the nose of the ship and behind the top wing. To protect the ship underneath there is an ingenious device, a retractable and rotatable gun turret, directly under the rear gunner. The machine is thus completely protected and the chances are that should the Albatross be so unfortunate as to get within range, it would be just too bad.

“The Handly-Page Heyford: The Story Behind The Cover” by Frederick Blakeslee
(January 1936, Dare-Devil Aces)

SILENT ORTH—ironically named for his penchant to boast, but blessed with the skills to carry out his promises—comes up against a trio of skilled acrobatic flyers that manage to elude the most skilled flyers while downing three enemy planes in every encounter, but Orth asks for one day to do the impossible and take down the trio! From the May 1934 issue of Sky Fighters it’s Silent Orth in “Sunset Song!”

Three Acrobatic Fokkers Work Havoc in the Air In This Zooming Yarn Packed With Thrills and Action!

• Download “Sunset Song” (May 1934, Sky Fighters)

LESTER DENT is best remembered as the man behind Doc Savage. But he wrote all number of other stories before he started chronicling the adventures of everyone’s favorite bronze giant. Here we have an action-packed tale of the air—The Boche have developed an even faster and better plane and Major Sam Flack has been called in to double bluff a captured Boche agent into taking him behind enemy lines to the prototype!

They played the double-cross both ways from the middle—when it boomeranged on the major none knew which way the fire would fall.

• Download “The Bluff Buster” (October 1932, War Birds)

If you enjoyed this story, Black Dog Books has put out an excellent volume collecting 11 of Lester Dent’s early air stories set against the backdrop of World War !. The book includes this story as well as others from the pages of War Birds, War Aces, Flying Aces, Sky Birds and The Lone Eagle. It’s The Skull Squadron! Check it out!

And as a bonus, here’s another article from Lester’s home town paper, The LaPlata Home Press, this time reprinting a feature on Dent originally published in The Daily Oklahoman!

Oklahoma Biographs Lester Dent,

The Wizard Of The Pulps
The LaPlata Home Press, LaPlata, MO • 29 June 1939

Lester Dent is one of the most valid of cosmopolitans. He was born in Missouri. Was taken to and lived on a series of farms near Broken Arrow (Oklahoma). Just in time to avoid having oil struck on his place. Dent’s father sold out and the family moved to a godforsaken cow ranch in the Wyoming sagebrush.

Then back to Missouri, in 1918, when Dent was 12 years old. Only 33 years old now, he has lived almost everywhere. Recently he returned from a treasurer hunt in the Caribbean on his schooner, “The Albatross”. His home, he says, is wherever he happens to be sitting at his typewriter at the moment. Just at present, that is New York. However: “I guess I’m more Oklahoman than anything else, having lived there longer than anywhere else by about five years.”

Dent got to the fifth grade, moved to another place, and entered high school. There he flunked English for four consecutive years, after which a disgusted teacher asserted that he was hopeless along that line. Graduated from high school in 1923, and took a course in telegraphy. Got a job at $45 a month, later worked nights for the Associated Press in Tulsa.

While on that job, Dent started writing adventure stories. Sent one of them to George Delacorte of the Dell Publishing Company. Delacorte wired him to come to New York if he was making less than $100 a week. “But,” says Dent, “I thought he was nuts. I’m still not sure—” Anyway, after telegraphing friends in New York to inquire about the publisher’s sanity, he went to New York. He was given two magazines (”Scotland Yard” and “Sky Riders”) to fill. Dent cleaned up 4,000 bucks the first month, and as much monthly for three more magazines. Then both magazines went broke. That was in 1931—the depression had arrived. For the next six months he would sell a story to a magazine and before he could sell it another one, that magazine would fold up. Finally he found some that were on an even keel.

Dent’s work has been for the pulp magazines. He has sold to over 30 publications, of the cowboy, detective, adventure, air, and mystery types. Also to writers’ magazines. He uses a dozen pen names, including Kenneth Robeson, Maxwell Grant, H.O. Cash, Tim Ryan, and various others. Has long ago lost track of just how many years he has sold, although he knows the total is more than 1,000. For the last three years he has received not one rejection slip; in fact, the stories were contracted for in advance.

Dent is the second most prolific author in the world. For a year his output was an average of 200,000 words a month, all of which he sold. That, he says, is not his limit. Here’s how he works: Out of bed at 11 a.m., works until about 4 p.m.; reads the papers, takes a walk, naps for an hour; then works until 3 or 4 a.m. Does this five days a week. Biggest production for a day: On dictaphone, 32,000 words; on typewriter, 24,000 words. Most words turned out in a continuous session: 45,000 words (a book). This required a night, day, and part of night. He never revises. His copy comes out of machine and goes in “as is”.

Under the nom de plume of Kenneth Robeson, Dent writes monthly a 60,000-word (book-length) “Doc Savage” story. The “Doc Savage Magazine” was the most successful pulp magazine in the world the sec-year of its existence. Dent claims his character, Doc Savage, is an unconscious composite of the physical qualities of Tarzan of the Apes, the detective ability of Sherlock Holmes, the scientific sleuthing mastery of Craig Kennedy, and the morals of Jesus Christ. He has written perhaps 50 novels about his creation, at present being over a year ahead of the magazine which prints them.

The following should encourage embryo writers. Dent swears it’s true: “Pulp magazines are more widely open than ever for new writers. Just send them a half-way printable story and they’ll buy it. . . The pulps are an excellent training field. When I started writing for them, less than eight years ago, T.S. Stribling and MacKinley Kantor were only pulp hacks.”

Dent regrets that be has written under so many pseudonyms, instead of building up one name—his own—in the pulps. The mistake was made partly because of the fact that editors don’t like to carry more than one story under the same name in a single issue of a magazine. So Dent would sign one with his real name, and others with noms de plume. Occasionally, he has written entire issues of magazines in this manner. Consequently, although his output ranks among the greatest, his name is not especially well known.

Asked if he entertained any unrealized literary ambitions. Dent replied. “One million of them, all made of silver called dollars, and in banks, preferably several banks.” Everything considered, this is not a vain desire at all—for Mr. Dent.

(Copied from The Daily Oklahoman. Sunday, July 19, 1936.)

• Download “Oklahoma Biographs Lester Dent”
  (29 June 1939, The LaPlata Home Press)

Amidst all the great pulp thrills and features in Sky Fighters, they ran a true story feature collected by Ace Williams wherein famous War Aces would tell actual true accounts of thrilling moments in their fighting lives! This time we have American Norman Prince’s most thrilling sky fight!

Norman Prince lived in France when the World War began. Being immensely wealthy in his own right, he offered to furnish and equip an entire squadron of planes and pilots. The French Army would not accept this generous offer, but Prince, acting in co-operation with William Thaw of Pittsburgh, convinced the officials that they could muster enough Americans to man an entire squadron. Their offer was accepted, and the LaFayette Escadrille was born. A French officer was put in command. All the rest of the pilots were American. Prince’s death was tragic. Though wounded in an air battle, he managed to fly his crippled plane homeward, and was about to land on his own airdrome in the gathering darkness when his plane ran into a telephone pole and crashed. In his weakened condition he did not have strength enough to guide his plane over or around the obstacle. So perished one of the bravest and most courageous of the early American pilots who gave their lives for France. The story below was told to a French reporter.

ONE SHOT, ONE HUN!

by Sergeant Norman Prince • Sky Fighters, September 1934

I HAVE had many thrilling brushes with the enemy, so many that I scarcely know which is the most thrilling. All air fights are more or less of the same nature, and the actual thrills are usually delayed until the bottle is passed in mess several hours after the fight took place. No one has time to feel thrilled when the actual fighting takes place. One’s mind is then concentrated on how to defeat the enemy pilot and escape death.

My hardest fight happened over St. Menehold. With two squadron mates I chased five Boche fighters far back behind their own lines. Ten kilometers in, the Boche divided, flying in three different directions. One swung to the left, two to the right, and two continued straight ahead. I kited after those ahead. They waited just long enough to separate me from my companions, then banked suddenly, swinging around at me from opposite directions. One zoomed above me. The other dived under my belly; perfect team work on their part. Almost before I realized it the bullets from their guns came clicking through my plane.

I dived, went into a swift loop, saw when I was coming out of it that they had anticipated this maneuver; so I shifted controls quickly, half rolled and came out flying in the opposite direction. An instant vertical bank got me on the tail of the first Boche. I pressed my stick trigger. Nothing happened! The Vickers had jammed without spewing a single shot. Panic seized me momentarily.

But another burst of bullets clicking through my fuselage brought me out of that daze. I crossed controls, fell off on one wing; then stood up in the cockpit and leaned over the gun breech. I saw what the trouble was. The webbed bandolier had been raked with machine-gun bullets. It was useless. The Boche bullets still rained about me. I had to do something quickly.

I ripped the bandolier from the breech feeder, shoved a single shell in the chamber and pulled the cocking handle. I had then what was equivalent to a single shot rifle. One bullet against two Boches with perfectly functioning Spandaus! It was ridiculous, but war plays strange pranks. Sometimes you are favored, sometimes not.

I managed to shed the Boche bursts in their next attack. Then as one swept past me, I swung in line with him, dived, came up under his belly. As my plane poised in air almost vertical, my sights centered the pilot’s pit. I uttered a silent prayer, pressed the stick trigger, expended my single shot.

It was effective. The Boche plane wobbled, one wing-tip upended, then it began to spin, uncontrollably. I reached up again, cleared the shell and jammed in another, then went sailing after the second Boche. But he had seen enough, I guess. He went scuttling homeward with his tail between his legs.

I did not have gas or—nerve enough—to chase him any further inside his own lines. Believe me I was glad to set down on my own drome safely fifteen minutes later. It was my narrowest escape, the tightest moment I ever want to experience.

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. This time Mr. Blakeslee brings us a story of “The Balloon Busters” from the July 1932 issue of Dare-Devil Aces!

THE cover shows a patrol of French Spads attacking a group of observation balloons. Helpless as these “sausages” were, it was dangerous business to attack even one of them. Many a good pilot met his Waterloo by so doing, and as a rule the Allies left them strictly alone, unless ordered otherwise.

German archie usually had the drachens ranged and an attacking pilot had to go through an explosive hell to get at them. A favorite trick of the Germans was to send up a decoy balloon which was not only ranged but instead of carrying an observer, had its basket filled with amanol. If a ship survived the barrage and came within range, the Boches exploded the amanol—and that was the end of the attacking ship. We can’t blame the Germans for using this trick, as the Canadians were the originators of it.

A similar ruse which the Allies played unsuccessfully was to surround Dunkirk at night with a dozen or more balloons which were attached to strong cables. Dunkirk suffered frequent bombing from the air and it was hoped that a raiding Boche would run into one of the cables. There is no official record, however, of such a thing ever having happened.

In spite of the danger of the observation balloons, Frank Luke, the American pilot, seemed to enjoy attacking them. He received the D.S.C. for bringing down eight of them in four days. Balloon bursting was Frank Lukes’ specialty.

Balloons were olive drab, camouflaged in green and brown or black and white checks. The large green balloon in the foreground of the cover is a German Ae. It is colored after a French war balloon which is now being kept as a war souvenir near Versailles. The green and brown balloon on the cover is a Luftchifftrupp 20.

A balcony runs around the inner court of Les Invalides in Paris. Hanging in one corner of it is a famous airplane which I have reproduced here from a color sketch I made last summer. The plane is the Spad used by Georges Guynemer. He called it “Vieux Charles” (Old Charles), and on the side, under the exhaust pipe, that name was printed. Back of that was the stork insignia of his squadron. You see this plane on the cover as it actually looks today.

“The Balloon Busters: The Story Behind The Cover” by Frederick Blakeslee
(July 1932, Dare-Devil Aces)