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“Skyway Robbery” by Joe Archibald

Link - Posted by David on August 26, 2022 @ 6:00 am in

“HAW-W-W-W-W!” That sound can only mean one thing—that Bachelor of Artifice, Knight of Calamity and an alumnus of Doctor Merlin’s Camelot College for Conjurors is back to vex not only the Germans, but the Americans—the Ninth Pursuit Squadron in particular—as well. Yes it’s the marvel from Boonetown, Iowa himself—Lieutenant Phineas Pinkham!

The Boonetown miracle man, Lieutenant Phineas Pinkham, and his unwitting hut mate Bump Gillis find themselves down behind Boche lines only to run into a fellow Boonetownian, but one who’s fighting for the Germans!

You can’t blame a fellow for wanting to make his mark. But over on the Heinie side of the Big-Fuss fence, marks were scarce. Yes, and when Phineas staged that “Bank Night of Germany” and hit the jack plot—they were even scarcer!

“Sky Writers, February 1937″ by Terry Gilkison

Link - Posted by David on August 24, 2022 @ 6:00 am in

FREQUENT visitors to this site know that we’ve been featuring Terry Gilkison’s Famous Sky Fighters feature from the pages of Sky Fighters. Gilkison had a number of these features in various pulp magazines—Clues, Thrilling Adventures, Texas Rangers, Thrilling Mystery, Thrilling Western, and Popular Western. Starting in the February 1936 issue of Lone Eagle, Gilkison started the war-air quiz feature Sky Writers. Each month there would be four questions based on the Aces and events of The Great War. If you’ve been following his Famous Sky Fighters, these questions should be a snap!

Here’s the quiz from the February 1937 issue of Lone Eagle.

If you get stumped or just want to check your answers, click here!

The Original Sixgun Buzzard by Frederick Blakeslee

Link - Posted by David on August 15, 2022 @ 6:00 am in

SOMETHING a little different this week. Instead of the story behind a cover, we have the original version of one of Frederick Blakeslee’s interior illustrations. Blakeslee’s cover paintings seem to show up frequently on the various auction house sites, but this may be the only interior illustration of his we’ve ever come across on those sites.

The image in question is the one Mr. Blakeslee did for “The Sixgun Buzzard,” the Smoke Wade story from the April 1933 issue of Battle Birds (as well as the lead story in our third volume of The Adventures of Smoke Wade)

As you can see, the printed version has a lot of plate edges on it outlining areas in an unseemly manor. Although the original is much cleaner in this regard, it has unfortunately suffered some damage at some point.


The Sixgun Buzzard by Frederick Blakeslee, Conte crayon, ink, and pen on paper.
16″ x 10½”

“The Action Hunter” by Robert J. Hogan

Link - Posted by David on August 12, 2022 @ 6:00 am in

THIS week we have an early story from the prolific pen of Mr. Robert J. Hogan—the author of The Red Falcon and Smoke Wade as well as G-8 and his Battle Aces! Herre, Hogan gives us the story of young Dexter, pilot of a D.H. bomber who knows his own pride is getting in the way of accepting some much needed advice from his more experienced observer/bomber. He knew Death was reaching for him and he fought frantically to control himself. from the September 1931 issue of War Aces it’s Robert J. Hogan’s “The Action Hunter!”

To the deadliest of slaughter missions lumbered that rookie bomber, and only in the ashen face of The Reaper did that kiwi see the stuff of which men are made.

Remembering Robert J. Hogan

Link - Posted by David on August 5, 2022 @ 6:00 am in

MIAMI HERALD columnist Bob Swift wrote a final piece about Robert J. Hogan, G-8 and the pulps twenty seven years after Hogan’s death. From his column for the 28 July 1990 edition of The Miami Herald:

A chance meeting with a great wartime writer

by BOB SWIFT | The Miami Herald, Miami, Florida • 28 July 1990

“Someday, as is almost the case now, the art of the Beatles will seem quaint . . . And as the music of the Beatles will be tomorrow; the Pulps are today.”— Tony Goodstone, author of THE PULPS.

FOR millions of kids who hit the acne stage between the early 1930s and the late 1940s, their choice of reading material was clearer than their complexions. They read pulp magazines, often by flashlight under the covers if Mom was so unenlightened as to call them trash.

Kids devoured comic books, too, but they just weren’t on a literary level with the pulps, which came in all types: detective, science-fiction, westerns, etc. One of the most popular types was the air-adventure, of which there were scores. Of those, the one that really made a kid’s eyeballs pop was G-8 and His Battle Aces, which packed a bigger kick than a surreptitious puff on a Domino cigarette.

I ran across G-8 not long before the magazine (and all the pulps) died but liked it so well I haunted second-hand stores to buy up back issues. Having been a childhood fan, I was agog when I actually met G-8’s creator, Robert J. Hogan. That was 1962, he was living in Coral Gables and he called me about something I had written. I began to visit him and we talked for hours.

A World War I flier, nearly penniless in the Great Depression, he read a pulp magazine, snorted “Hell, I can write better than that,” and did so, selling his first story for $65. When novel-length pulps (Doc Savage and the Shadow) became popular, Hogan created G-8, air hero.

There followed at least 100 novels in which G-8 battled monsters with tentacles, men with beast brains, mad scientists, flying bombs and magnetic rays. Even the titles had a certain zing: The Death Monsters, Wings of Invisible Doom, Skies of Yellow Death, Flight From the Grave and (don’t you love it’) Vultures of the Purple Death.

German villains, such as Herr Doktor Krueger, plagued G-8. But Hogan, an equal opportunity employer, also invented the evil Dr. Chu Lung; the black King Jolito, who turned dead German pilots into zombies; and even an army of Vikings, frozen in a glacier but revived as horrid German shock troops.

The prose was colorful:

“There was a sword covered with blood. Gripping it tightly was a ponderous human arm. The flesh was seared like a half-broiled steak. It was severed at the shoulder as though it had been torn off.”

Whew. Heady stuff for a 12-year-old. If my mother had only I known.

In another novel, mad scientists boiled bodies in cauldrons and sent their zombie-like skeletons marching against the Allies.

“My editor became nauseated,” Hogan told me with some relish.

Air combat was frequent:

“G-8 was sure his bullets had spattered into the lead pilot’s body. Tac-tac-tac! Spandau bullets snapped past his head.”

Hogan wasted little time on research. He named characters “Monsieur Chapeau” and “Herr Schmaltz,” injected a few ach du liebers and went merrily on with the plots, which sometimes involved a female spy, R-1. She was the love interest, although a typical G-8 story was tailored to the tastes of a 12-year-old, with the result that any cuddling between G-8 and R-1 was roughly akin to that between Roy Rogers and Trigger.

In his prime, Hogan turned out 200,000 words a month, dictating to two secretaries at once. At one incredible time, he was doing G-8, a mystery series called The Secret Six, and a Fu Manchu clone called Wu Fang. Each called for a 60,000 word novel a month, plus enough short stories to fill the back pages. He ran G-8’s fan club, too (”Hello, gang, this is G-8 speaking.”). The Readers’ Digest called him one of the world’s most prolific writers.

G-8 finally died in 1944, victim of wartime costs and a more-sophisticated audience. At a time of B-29s, V2 rockets and radar, the demand for World War I adventure (Spads? The Kaiser? How quaint!) disappeared. Soon, a nation turned to TV. Hogan turned to westerns (one became a film) and juveniles, but always hoped that G-8 would be reborn in some form. The G-8 novels were finally reprinted in the mid-1960s, in paperback, but Hogan didn’t live to see them. I wrote his obituary in 1963. He was 66.

I have a few copies of those paperback G-8 reprints. The pages, not much better than the rough pulp of the original magazines, are brown and flaking. But they still bear the purple prose that awed a 12-year-old on a long-gone summer’s day:

“A fiend had turned his pals into a Squadron of Living Death. A low, vibrant chuckle left the lips of G-8. The master spy shot his fist up in a signal to the Battle Aces. Fokkers thundered from the sky. Tac-tac-tac! Machine guns clattered a hymn of hate. Tac-tac-tac! Tac-tac-tac!”

The Passing of a Pulp Legend

Link - Posted by David on August 3, 2022 @ 6:00 am in

ROBERT J. HOGAN passed away just over a year after the big Miami Herald Sunday Magazine feature in December 1963. The Miami Herald used an edited down version of the feature for Hogan’s obituary.

Creator of “G-8″ Dies Here at 66

The Miami Herald, Miami, Florida • 18 December 1963

Robert J. Hogan, of 829 Granada Grove Ct., Coral Gables, one of the most prolific pulp writers of his day, died Tuesday at the age of 66.

His was the pen that fostered the pulp magazine adventures of “G-8 and His Battle Aces” in the 1930s and ’40s. G-8, the master spy, makeup artist, crack shot and ace pilot, was the hero of the American boy of the depression years.

Mr. Hogan wrote the adventures of G-8 for 11 years, from 1933 to 1944, In about 100 novels. He turned out 200,000 pulp fiction words a month.

A preacher’s son, Mr. Hogan grew up in Buskirk, N.Y. During World War I, he learned to fly as a member of the Air Corps. After the war he demonstrated private planes until the depression.

He started writing for an aviation pulp, Wings Magazine, then did a series called “The Red Falcon” and the “Smoke Wade”—stories which appeared in Daredevil Aces Magazine.

But the demand was for novel-length stories featuring the same character. Thus, Master Spy G-8 was created in 1933. G-8 was killed at the end of the series in 1944.

Mr. Hogan was later a writer for slick magazines and televisions, writing westerns and stories for young people. One of his westerns became a movie, “The Stand at Apache River,” and a juvenile novel, “Howl at the Moon,” was considered a classic boy-dog story.

Many of his books were translated into foreign languages. He had always hoped to re-issue G-8, perhaps as a television show.

Readers Digest called him one of the world’s most prolific writers.

For the past ten years Mr. Hogan has been living in Coral Gables, where he had spent the whiters for several years previously.

He was a member of the Coral Gables American Legion, the Rotary and Presbyterian
Church.

Surviving are his wife, Elizabeth L. of Coral Gables; a daughter, Mrs. Betty Van Houten, and four grandchildren in Allendale, N.J.

Services will be at 2 p.m. Thursday in the Philbrick Coral Gables Funeral Home.

G-8: Spy King of the Pulps by Bob Swift

Link - Posted by David on August 1, 2022 @ 6:00 am in

BACK in 2015 we posted a bunch of correspondence between Henry Steeger, Robert J. Hogan, and Bob Swift that Pulp Historian Don Hutchison handed us at PulpFest. The letters with Bob Swift concerned a feature article he was writing for the Miami Herald Sunday Magazine. Although Don had given us the letters, the package did not include the Miami Herald Sunday Magazine feature story. But thanks to Newspapers.com, we have finally got a copy of it to share with our readers.

Without further ado, here is Bob Swift’s feature:

G-8: Spy King of the Pulps

by BOB SWIFT | The Miami Herald, Miami, Florida • 8 July 1962

Remember before TV, when the lurid pulp magazine was the boy’s best friend? Remember Bob Hogan’s fabulous heroes, G-8 and His Battle Aces?


Debonair G-8, as drawn by John Fleming Gould, for the pulp magazine series that bugged the eyes of young readers for 11 years. G-8, created by Robert J. Hogan, was a master spy, makeup artist, ace pilot, a hero in the tradition of the dime novels.

ENTER the Depression era small town boy, bicycle-borne, legs pumping, frayed and faded school books bouncing in the bike basket, dime burning the clenched fist like a nugget of lye.

Past the candy store with its dubble-bubble. Past the movie with Hoot Gibson. Past the drug store and the root beer float. Here. The news stand. Padded clatter of Keds on the wooden floor. There. Row upon lurid row, garish and glorious, the pulp magazines of the 1930’s.

Were you a fan, back In those beautiful days when the pulp was king? It was before TV (what you did, you listened to I Love a Mystery, the Green Hornet and Jack Armstrong on the radios). And what you did, you read the pulps.

There was Doc Savage, the man of bronze; the Shadow, whose flaming automatics piled crooks like cordwood; Nick Carter, the master detective; the Spider, soaring on a silken web; Wild West Weekly and Western Story Magazine.

But what really made that school literature book a volume of tepid pap was a brassy book called G-8 and His Battle Aces, a seven by 10 inch pulp magazine whose contents palsied the hand, dried the mouth, popped the young eyeball and packed a bigger kick than a surreptitious Domino cigaret.

America’s Master Spy. who could pilot a Spad pursuit plane in circles around any World War I ace. Master of makeup, crack shot, superb physical specimen, noble and true, ruthless to the enemy. That was G-8 as created by Robert J. Hogan, one of the most prolific pulp writers of his day.

Robert J Hogan wasn’t just the communal pen name for some stable of writers who took turns writing some of the pulps of that era.

Hogan was—and is—Hogan. Today. Bob Hogan lives in Coral Gables, 829 Granada Grove Ct.

He fondly remembers his pulp hero.

“I love G-8.” says Hogan, a spare, balding man of 64. “G-8 was good to me, supported me for 11 years, built our summer home in New Jersey.”

Bob, a preacher’s son from Buskirk, NY, learned to fly in World War I, demonstrated private planes after that, found himself almost penniless when his company closed in the Depression’s early day. He happened to buy a pulp aviation magazine, snorted, “Hell. I can write better than that.” and did so. He sold his first story to Wings Magazine for $65, was off on a writing career.

“Does anyone remember a series called The Red Falcon?” wonders Hogan. “Or the Smoke Wade stories in Dare-Devil Aces magazine?”

But other pulp fiction publishers began turning to novel length stories featuring the same character each month . . . the Shadow, Doc Savage. Hogan’s chore: Dream up an air hero. Driving home from his publisher’s office one day in 1933. Hogan’s racing brain came up with G-8 and His Battle Aces.

There was G-8 himself, the Master Spy. There were his sidekicks, little Nippy Weston (”Hey, you dumb ox!”) and burly Bull Martin (”Holy herring!”) and Battle, their English butler.

That first novel was called The Bat Staffel, the latter being a German word meaning squadron. Then came the whole great series that ran from 1933 to 1944, a series of novels whose titles had a certain zing, such as: “Death Rides the Ceiling,” “Skies of Yellow Death,” “Patrol of the Mad,” “Scourge of the Steel Mask,” “Wings of the Juggernaut,” “Vultures Of the Purple Death,” “The Death Monsters,” “Wings of Invisible Doom,” or “The Staffel of Beasts.”

Imagination unlimited was the rule of the pulp magazines and G-8 fought monsters with tentacles, men with beast brains, flying zombies, marching skeletons, mad scientists, mysterious gas, flying bombs, monster tanks with spiked treads and flame throwers, armored dirigibles, magnetic rays.

Particular villains plagued G-8 for years. One was the horrifying Steel Mask. Another was the yellow peril, Dr. Chu Lung. But the adversary who gave G-8 the creeps the longest was the wretched evil genius, Herr Doktor Krueger:

“Emaciated beyond description . . . shrunken, half-paralyzed body . . . head huge at the top . . . ‘Ha, ha.’ cackled the little fiend doctor . . . a cackling, high-pitched laugh left the ugly mouth of Herr Doktor Krueger …”

And talk about television blood and mayhem! G-8 beat today’s fare by a gory mile. The Master Spy never got through an issue without shooting, stabbing or otherwise disposing of a dozen or so enemy pilots, soldiers, guards, spies, madmen or monsters.

How about this scene from “The Sword Staffel” of June, 1935:

“There was a sword covered with blood. It measured at least six feet in length . . . the handle was large and gripping it tightly was a ponderous, human arm. The flesh was seared like a half-broiled steak . . . it was severed at the shoulder as though it had been torn off.”

Whew! Heady stuff. And we loved it.

In one novel the mad scientists boiled bodies in cauldrons, sent zombie-like skeletons marching against the Allies.

“My editor became nauseated.” says Bob Hogan with some relish. “Had to leave his desk.”

There was “Wings of the Glacier Men,” wherein the Germans found a whole army of Vikings frozen in a glacier, brought them to life, used them as hideous soldiers.

Aerial combat played a big part in G-8’s adventures, too:

“G-8 was sure his bullets had spattered into the lead pilot’s body, but he was still flying. Instantly, G-8’s brain flashed to the time when Germany had sent over the gorilla men who could not be killed. Were these men wearing bullet proof armor, too? Tac-tac-tac! Spandeau bullets snapped past his head . . .”


Author Bob Hogan, who turned out 200,000 pulp fiction words a month in the late 1930’s, is still writing on the typewriter that pounded out the first G-8 story. Hogan and his wife live in Coral Gables in the winter. New Jersey in the summer. The books are all by Hogan, some in German translations. Painting is an illustration for one of his Worid War II flying stories.

Hogan wasted no time inventing complicated names for his foreign characters. He glibly tossed off handles like Monsieur Chapeau, Herr Schmaltz and Herr Butscher, injected a few ach du liebers and violas and went merrily on with the plot.

There was even a female spy with the lovely name of R-1. She was what you might call the love interest if you stretched a point, although romance in a G-8 novel was tailored to the tastes of the 14-year-old, with the result that any cuddling between G-8 and R-1 was roughly akin to that between Roy Rogers and Trigger.

No matter. When that G-8 novel was finished, the short stories digested and the G-8 Club news read (sometimes all this occurred by flashlight under the covers), it was time to begin the impatient waiting until next month’s issue.

Even the ads were wonderful. Johnson Smith & Co. offered courses in Ju Jitsu, Whoopee Cushions for a quarter. French Photo Rings and Boys. Boys, Learn to Throw Your Voice. Charles Atlas stared from the page and sneered. “You can have a body like mine.” You were entreated to buy yeast for those pesky pimples. And for the more mature reader, it is hoped, there was the ad for Crab Orchard Whisky, guaranteed a mellow 18 months old.

When G-8 was in his prime. Bob Hogan turned out 200,000 words a month, pacing his Sparta, N.J. home with the radio full blast, bouncing a rubber ball on the floor, dictating to two secretaries at once.

At one incredible time, Hogan was writing the G-8 series, a cops and robbers series called The Secret Six and a Chinese menace series called Wu Fang, each calling for a 60,000 word novel a month plus enough short stories to fill the back of each magazine. In addition, he ran the fan club (”Hello, gang, this is G-8 speaking.”).

A Readers Digest article called him one of the world’s most prolific writers.

Hogan’s orders were to turn out the copy. Don’t edit it, said his publisher, don’t rewrite it, don’t even read it. Just turn it out and mail it. And that’s just what Hogan did.

“I have yet to read a G-8 story,” he says with wry curiosity. “Wonder if they were any good?”

“G-8 was aimed at boys about 14 years old, but I had fans ail ages and all over the world. One was president of a street car company in Scotland. Another was a Bengal Lancer in India.’

Hogan still gets letters from old fans who wish their own kids could read G-8. But alas, that’s almost impossible. A mint copy which once sold for 10 cents might bring $50 today, if you could find one.

Hogan himself has a complete set of G-8 at his lodge in New Jersey, “The House That G-8 Built.” There, too, are Hogan’s mementos: airplane struts serving as curtain rods, engine parts for andirons, bomb casings for lamps.

G-8 appeared in about 1OO novels, finally died in World War II.

“Production costs killed the pulps.” sighs Hogan. “And, of course, in the day of the B-29 and radar, the demand for stories about Spads and the Kaiser sort of wore itself out.”

G-8 buried and mourned, Hogan turned to slick magazines, westerns, juveniles, TV. One of westerns became a movie, The Stand at Apache River. A juvenile novel, Howl at the Moon was considered a classic boy-dog story. Many of his books have been translated into foreign languages.

Hogan has slowed a bit lately. He and his wife Betty, winter in Coral Gables, summer in New Jersey. But the typewriter still clatters though the pace has relaxed. What Hogan would like to do now is re-issue G-8 in some form or other, for nostalgia fans maybe make G-8 a TV show.

We can hope so. In the meantime, go back in spirit to the hot summer day, the ceiling fan turning in the news stand, the rows of lurid covers, the swap of hand-heated coin for shiny book, the long walk home with open magazine, palpitating heart and great risk to life and limb.

Turn the pages slowly. Savor the deathless prose:

‘ . . . he knew a fiend had turned his pals into a Squadron of Living Death. He knew that the remedy lay in a will to fight and fight and fight . . . a low, vibrant chuckle left the lips of G-8 . . . the Master Spy shot his fist up in a signal to the Battle Aces . . . the Spad howled up in a steep climb . . . Fokkers thundered from the sky . . . tac-tac-tac! the machine guns clattered a hymn of hate . . . tac-tac-tac! tac-tac-tac!