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“Death’s Lament” by William E. Barrett

Link - Posted by David on November 23, 2018 @ 6:00 am in

THIS November we’re celebrating William E. Barrett’s Birthday with four of his pulp stories—one each Friday.

Before he became renown for such classics as The Left Hand of God and Lilies of The Field, Barrett honed his craft across the pages of the pulp magazines—and nowhere more so than in War Birds and it’s companion magazine War Aces where he contributed smashing novels and novelettes, True tales of the Aces of the Great War, encyclopedic articles on the great war planes as well as other factual features. Here at Age of Aces Books he’s best known for his nine Iron Ace stories which ran in Sky Birds in the mid ’30s!

To close out the fiction portion of our Barrett celebrations we have “Death’s Lament”—the story of Billy North who left home to fight in the war to avenge his brother’s death, but is stuck flying in the observation squadron where they fight the war with pencils rather than bullets!

In the crucible of duty-tortured skies was welded the stuff of which fighters are made—for only in the thunder of red-eyed guns could Angus play his death music for a friend.

From the May 1932 War Aces, it’s William E. Barrett’s “Death’s Lament!”

Some historical background was included with the story:

“Sky Fighters, January 1936″ by Eugene M. Frandzen

Link - Posted by David on July 9, 2018 @ 6:00 am in

Eugene M. Frandzen painted the covers of Sky Fighters from its first issue in 1932 until he moved on from the pulps in 1939. At this point in the run, the covers were about the planes featured on the cover more than the story depicted. Mr. Frandzen features the trusty Sopwith 1½ Strutter whose pilot has been injured in a battle with a couple of German Rumpler C1’s on the January 1936 cover!

The Ships on the Cover

THE British Sopwith 1½ Strutter was th_SF_3601 one of those ships that rated so high early in the war that all the Allied governments were scrambling to get them for their own air forces. T.O.M. Sopwith began making planes that did things back in 1912. His seaplane scout won the Schneider Cup at Monoca. His “Bat boat” was so good that the Germans bought them before the war.

The amphibian “bat boat” had wheels which could be raised or lowered long before the days of modern retractable landing gear. Then came the Sop Tabloid which so revolutionized airplane design in 1913 that it became the grandpa of all fighting scout machines of the war. All the best features of former Sopwith models had been incorporated in the Tabloid.

In 1915 the Sop 1½ Strutters came out with the goods. They carried a synchronized gun firing through the propeller. The gun and the plane were a Sopwith team as the Sopwith Aviation Co. developed the synchronization gear which made the teamwork possible. The 1½ Strutter was a two-seater, although they manufactured a singe seat version later.

The name 1½ Strutter came from the peculiar bracing job. The top wing was in two parts joined to a center section. To support these, short struts ran from the top of the fuselage at an angle to quite a distance out on the top wing.

Another Two-Seater

The Rumpler C1 was a two-seater also. It wasn’t much of an original idea in design as it was so directly related to the old Taube which the Rumpler Co. had manufactured under license from its originator, the Austrian Etrich. The C1 had the backswept fish-like tail of the Taube monoplanes. An exposed radiator hung in the breezes at the center part of the leading edge of the top wing.

One day back in 1916 these two-seaters, the Sop and the Rumpler got in a scrap. That is where we find them on the cover. Two Rumplers have ganged up on the Sop, which wouldn’t place the 1½ Strutter in such a bad position as it was a much superior ship and welcomed a chance to show off to the challenging Germans. The Britishers were cocky and allowed the German observer to get in a burst.

The pilot of the land 1½ Strutter suddenly groaned in an agonized breath. The observer busy swinging his Lewis on the German ship couldn’t hear the startled cry from the front pit. The ship lurched and nearly threw the amazed gunner from his cockpit. He turned his head. “What the—” he shouted and was suddenly silent. The pilot was bent over the instrument panel. With no dual controls the ship seemed doomed. There was only one thing to do.

“Hold Her Steady!”

The observer shouted “Hold her steady!” He swung out of his pit and muscled slowly up over the turtleback and grabbed a center section strut as the ship shuddered from the enemy’s fire. It rocked and swayed dangerously. Holding onto the fuselage the observer got on the left wing and inched his way to his comrade’s side. German bullets had put both the plucky pilot’s arms out of commission. He was trying to fly the plane with his legs and feet alone. His face was chalk-like, his teeth clamped tight in pain. The observer grabbed the stick and pulled up the nose. Then, as the Rumplers came in for the kill, their guns churning a drizzle of slugs into the Allied ship, he shoved the slick against the firewall. The Sop nosed over.

As the gap widened between the diving Sop and the surprised German pilots, the British anti-aircraft gunners on the ground below who had been waiting for just such a break smacked upward a curtain of screaming steel. The Rumplers’ pilots quickly turned back across their own lines.

The 1½ Strutter pulled drunkenly out 
of her dive, wobbled and did a bellyflop 
in an abandoned potato patch behind the 
lines. It took two to land her, a pilot and 
a backseat driver who said little but did
much.

The Ships on The Cover
Sky Fighters, January 1936 by Eugene M. Frandzen
(The Ships on The Cover Page)

“Sopwith 1½ Strutter” by Robert H. Rankin

Link - Posted by David on September 14, 2015 @ 6:00 am in

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. This time, we have more of the approach he used for the covers he painted for Battle Aces—telling us about the ship on cover. But, instead of Mr Blakeslee telling us about the ship on the cover, we have Mr. Robert H. Rankin, formerly a draughtsman for the Fokker Aircraft Corp telling the story of the Sopwith 1½ Strutter on the cover of the May 1935 cover of Dare-Devil Aces. . . .

th_DDA_3505
Editor’s Note: This is a surprise cover. In painting it, Frederick Blakeslee attempted to tell no story, but simply painted a ship for your collection. The color and every detail on the ship is exactly as it is on the original. We are very anxious to know how you like this cover. Write to Frederick Blakeslee in care of this magazine and tell him what type of cover you like best.

Sopwith 1½ Strutter
by ROBERT H. RANKIN
Formerly Draughtsman, Fokker Aircraft Corporation

WITH the exception of Fokkers, the Sopwiths were in all probability the best-known fighting ships used during the World War. The Sopwith Camels did more to repulse the German attempts at aerial supremacy than any other type or make of plane, while the Sopwith Pups and Triplanes made themselves almost equally as famous.

Although not as well-known as the other Sopwith models, the 1½ Strutter has a definite claim to historical distinction, not only because it was a great fighter, but because it was the first British plane to be fitted with a gun synchronized to shoot through the propeller.

The Sopwith-Kauper synchronization gear which made this possible was developed at the Sopwith factory and was as much a product of that firm as was the ship to which it was fitted.

The 1½ Strutter was originally designed as a high-performance two-seater fighter powered with the 100 h.p. Clerget engine. As such it gave a very good account of its self, showing an excellent performance and a decided ease of maneuverability.

In view of its worth as a fighter, many 1½ Strutters were built to the order of the governments of Roumania, Russia, Belgium, and the United States. In addition to this, the French government, under license, built more than 4,500 of these machines.

Structurally the 1½ Strutter was interesting in several ways. The wing bracing, which gave the ship its name, was rather unusual, for the top plane was in two halves, bolted to the top of a central cabane, while the wing spars were provided with an extra support in the shape of shorter struts running from the top fuselage longerons to the top plane spars some distance out.

In the single-seater pursuits which followed the 1½ Strutter, this bracing of the top wing was generally adopted, with the exception that the central cabane was done away with, the outer struts of the W formation having a slightly less pronounced slope, and supporting a separate top wing centersection.

Aerodynamically the machine is of interest because of the air-brakes with which it was fitted. These were in the form of adjustable flaps in the trailing edge of the lower wings. These flaps could be rotated by the pilot until they were normal to the wind, thus helping to pull the plane up as it was about to land.

Another innovation incorporated in the 1½ Strutter was the trimming gear by means of which the angle of incidence of the tail plane could be altered in flight. This allowed the tail to be adjusted for speed, climbing, etc.

Although designed originally to be used as a two-seater fighter only, the 1½ Strutter was later successfully adopted as a single-seater bomber, and as such it was used in bombing such German towns as Essen, Munich, and Frankfort. For bombing service the machine was equipped with the 130 h.p. Clerget.

Later this higher-powered engine was used in the standard two-seater fighters. After the war a number of these fighters were fitted with dual controls and powered with 80 h.p. Le Rhone engines for use as training planes.

A study of the following figures will give some idea of the characteristics of the 1½ Strutter:

TOP PLANE
   
Span 33 ft. 6 in.
Chord S ft. 6 in.
Area 183 sq. ft.
Incidence in degrees 2.45
Dihedral 2.45
Gap 5 ft. 5 in.
   
BOTTOM PLANE
   
All dimensions the same as for the top plane.
   
GENERAL DIMENSIONS
   
Total wing area 373 sq. ft.
Length over all 25 ft. 4 in.
Stagger 2 ft. 0 in.
Sweepback 0 ft. 0 in.
Aileron area 52 sq. ft.
Tail plane area 35.5 sq. ft.
Elevator area 21.5 sq. ft.
Fin area 3.5 sq. ft.
Rudder area 7.25 sq. ft.

 

Powered with the 110 h.p. Clerget engine, the two-seater fighter weighed 1,281 pounds empty, had a high speed of 130 m.p.h. and climbed 6,500 feet in 10½ minutes. The ceiling was 16,000 feet, the military load 160 pounds, and the landing speed 35 m.p.h. In addition to the fixed gun, the fighter carried a Scarfe ring and gun for the use of the man in the rear pit.

As a bomber, powered with the 130 h.p. Clerget, the ship weighed 1,316 pounds empty, showed a high speed of 102 m.p.h., and climbed to 6,500 feet in 12.7 minutes. The ceiling was 13,000 feet, the military load was 344 pounds, and the landing speed 35 m.p.h.

The Story Behind The Cover
“Sopwith 1½ Strutter” by Frederick Blakeslee (May 1935, Dare-Devil Aces)