THIS week we present another of Paul Bissell’s covers for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the October 1933 cover Bissell put us right in the action as a …

Yank Rookie Gets German Ace

IN THE early summer of ’18 the 95th Yank Squadron was having a busy time of it on the Front near Verdun. The long-promised Spads had not yet arrived, and they were still flying their old Nieuports to combat the new Albatrosses and Fokkers with which the Germans were filling the skies.

The squadron losses had not been unusual, but quite heavy enough so that replacements were constantly coming up. Often these were lads who had previously been with the French or English, and so had some actual combat experience. But sometimes there would be one who came fresh from the training centers, with only what experience he had received in “aerial combat” at those fields, and not enough of that.

As a general thing, these lads could be broken in gradually, the usual procedure being for the experienced pilots to take them over in formation, avoiding, if possible, a serious scrap, but allowing them to get accustomed to archie and the feel of being out—assisted to be sure, but on their own, where the stakes were life and death.

If a scrap was unavoidable, the new lads were told to stick close in their formation, or if the formation was broken, to pull out of the scrap entirely if the opportunity presented itself. However, things didn’t always work out 15,000 feet up as they were planned on the ground.

So it was with Lieutenant Walter Avery, who came up entirely without experience to join the 95th. He, like all other rookie aviators, without underestimating his job or the danger in it, was impatient to get at the enemy, and restlessly waited for his time to be taken over.

While waiting, he heard tales of the activities of the Boche squadrons in this sector, especially of an ace named Menckeff, who flew a red Albatross with the tips of its lower wings painted black.

This ace had thirty-eight official victories to his credit, and he and his men had been in many a spectacular dogfight with the Allied birdmen of this sector. Possibly at night Avery dreamed of that red ship with the black lower wing tips. Anyway, those markings must have stuck in his memory for—but that’s part of the story of Avery’s big day.

WITH the sun shining down blindingly from the vast blue dome above, seven German ships sped along over the big white clouds below them. High up there, everything was so quiet, so beautiful and peaceful, that it was almost incredible that the veil of smoke seen drifting across the landscape far below was really the shroud of hundreds who at that instant were dying—a sacrifice to the gods of war.

So, indeed, it was impossible to believe that these ships flying swiftly and easily, beautiful in the sunlight, their red wings flashing, were in reality a squadron of death, mercilessly searching for their victims.

Far below, coming from behind a cloud, five tiny specks had appeared, almost invisible against the shell-torn earth still miles beneath them. The quick eyes of the Boche leader had observed them, however, and already his wings were wagging their signal to his comrades. The red, blue and white circles on the lower planes showed them to be Americans. It was the 95th, and Lieutenant Avery was being taken over for the first time.

He had already come through his first tryout with archie, and had marveled at the apparent unconcern of the older pilots when puffs of smoke had appeared all around them as if by magic, and their ships had been bumped around as if by the hand of the magician himself. The flight had shifted course suddenly, and at certain definite intervals, but that was all, and soon the smoke puffs had ceased.

But now it was different. The flight leader had banked up sharply, at the same time giving a quick signal. Avery, looking over his shoulder, saw seemingly countless red ships, their guns blazing, diving straight down on him, and he knew that this was one scrap not as per ground instructions.

Just what happened during the next few moments will always remain a confused mass of memories to the young airman. He tried to remember his warning to stay in formation, but there seemed to be no formation left. He had escaped the first driving onslaught and was now just one of twelve twisting and dodging planes. So far he had not even used his machine gun. There had seemed nothing to shoot at—just flashes of color that passed him before he had opportunity even to determine what they were.

Then some bullets, spattering close to his cockpit, brought him abruptly out of his confusion. His senses cleared. All his training came back suddenly. He threw his ship into a screaming vrille and came out with a red ship square in front of him. Automatically his fingers squeezed the trips, and for the first time he felt the thrill of actual combat. His aim was high. He saw his tracers pass over the top wing of the other ship.

The German was busy on the tail of one of the other Americans and had not noticed Avery. A yank of Avery’s stick brought the whole enemy ship more into line. Then for the first time his eyes caught something that sent his heart into his mouth. The red Albatross had black lower wing tips.

Carefully he sighted, aiming at the nose of the Albatross so that the German would have to pass through the line of fire. Once again his guns throbbed, and this time his aim was true. The German plane shot up in a tight loop like an animal stung unawares, but at the top, his motor sputtered and he dropped off to one side. Right behind him went Avery, his guns blazing, the bullets ripping the sides of the diving Albatross.

It was soon over. They had drifted too far over the Allied lines for the Boche to make the German side; so, with motor gone, unable to fight, and himself wounded, he threw up his hands in surrender. The scrap was over, and Avery headed back for the airdrome.

His squadron mates had seen the newcomer get his German, but it was not until the prisoner had been brought in that Avery was sure his eyes had not deceived him. And not until then did his comrades realize that the young American lieutenant had on his first flight over the lines brought down the famous German ace, Menckoff—a record we believe unique in the annals of the war.

“Yank Rookie Gets German Ace”
Flying Aces, October 1933 by Paul J. Bissell

THIS week we present another of Paul Bissell’s covers for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the September 1933 cover Bissell put us right in the action as Lt’s Goettler and Bleckley try to get …

Aid to the Lost Battalion

THE Congressional Medal of Honor is the highest decoration the United States can bestow upon its military heroes. Only four airmen of the World War received it — Captain Edward V. Rickenbacker, Lieutenant Frank Luke, and Lieutenants Harold Ernest Goettler and Erwin R. Bleckley. The first two, both aces, are well known, and most people know that Congress so honored them, even if a bit tardily in Rickenbacker’s case. But few know of Goettler and Bleckley and the glorious story of how they gave their lives, going “above and beyond the call of duty in action with the enemy” in an effort to save some of their countrymen.

On October 2, 1918, the 77th Division in the Argonne sector was ordered to advance, with directions to reach their objective, regardless of cost. In this movement was included the Second Battalion of the 308th Infantry, under command of Major Charles Whittlesey. The advance was made late in the afternoon. At the end of hours of terrific hand-to-hand fighting the battalion had advanced to its objective, the old Charlevaux Mill, near Binarville.

The troops on both sides of them, however, had been unable to hold their positions. This allowed the Germans to filter in from both ends and completely surround the Americans. For the next five days, this battalion of about 550 men, without food, supplies or ammunition, with scant water, and subjected to the most terrific fire, dug themselves in as best they could and refused repeated demands of the Germans to surrender.

They held a narrow ravine, the general location of which was known to our headquarters, but the exact location and the conditions existing among these men was unknown, since repeated efforts from both the battalion and the main division to establish contact had been unsuccessful. It was, however, definitely known that some of the battalion were still alive, and so, on October 6th, an order came over the wires which snapped every airdrome on that front to instant alertness. “Locate the battalion and get it food and supplies at any cost.”

Every available ship of Squadron 50 was soon on the line. The powerful Liberty motors roared and the propellers bit into the heavy fog. This was no flying weather, but somewhere out there where the incessant bark of the big guns could be heard, were Americans surrounded and trapped by the enemy, suffering and dying, waiting for help from their comrades.

There was no small talk among the airmen. A dirty job lay ahead of them—a job that none of them wished for, yet none of them thought of shirking. The planes were loaded with iron rations—chocolate, bully beef, coffee, hard tack—bandages and official messages. Quietly the men climbed into their ships—an observer and pilot to each of the D.H.4s, and with Flight Commander Lieutenant Goettler leading, one after another the big planes took off into the mist.

An hour had passed when a ship came sliding out of the fog to a rough landing on the tarmac of Squadron 50. The mechanics rushed out, to find it was Goettler and Bleckley, his observer, returned from their search. The plane was riddled with bullet holes, and large pieces of fabric were missing from the fuselage.

The faces of the two airmen were grim. Goettler’s orders were curt. “Refuel the plane and put in another set of rations. Patch it up as best you can. We have found the Lost Battalion, and we’re going back in another fifteen minutes.”

THE mechanics did not know until later all the details of the first flight—of how the battalion had at last been located at “Charleyvoo” Mill—how the big D.H.4 had waded through a storm of fire from the ground to get in a position to drop the much needed rations to the entrapped doughboys; how, although the two airmen had gone as near the ground as they dared, the lines of the Germans were so close to the Americans that when they had dropped the rations and messages overboard, the Germans had come out and seized them. All of this the mechanics later learned from their squadron commander, to whom Goettler had given a brief account of his effort while the plane was being refuelled.

All they now saw were the two grim-faced youngsters gravely shake hands and climb into their respective cockpits, and, in a ship already shot half to pieces, take off to carry aid to their fighting comrades.

Only too well the two lads knew what lay ahead of them. After their first unsuccessful trip it was evident to both of them that there was but one chance for success—to wing down through the terrific hail of lead from the ground, so low that with their wing tips almost touching the torn tree trunks of what had once been a forest, they could with accuracy drop the supplies to the doughboys dug in below.

Yes, this was possible if they could live through the terrific barrage they would meet. Anyway, it was their one chance, and there was no hesitation on the part of the two lads as Goettler piloted his plane directly to Charlevaux Mill. Soon it was below them, a pile of gray ruins, and Bleckley pointed out to “Dad” Goettler a khaki-clad figure waving feebly to attract their attention.

The big plane nosed over, swinging down in a spiral. The fire from below was now appalling. Machine-gun bullets were riddling the plane, while the impact from high explosives at short range tossed the ship around almost like a small boat in a rough sea.

Completely oblivious to this terrific punishment, the two airmen concentrated their entire attention on the job to be done. Goettler piloted his plane skilfully, while Bleckley leaned far over the side, holding a bag of rations ready to drop at the right instant. The trees were not fifty feet below them when Goettler leveled off slightly. Then, banking up, he let his wing tip almost touch the hillside to give Bleckley a better chance in his work.

Below, the doughboys crouched behind what shelter they had made for themselves, looking anxiously upward, waiting for the food and ammunition that they needed so desperately. They saw Bleckley release the bag and then lean over the side to see if his aim had been true. But this time the two aviators were never to know, for at that moment, up from the ground, death, in the shape of leaden bullets, reached for them.

The nose of the big D.H. yanked up suddenly, then dropped as if the hand that held the control had suddenly lost its strength. There was a sickening instant as the plane slipped off on a wing, then crashed, burying her heavy nose deep in the hillside over near the German trenches.

The next day, in an irresistible advance, the 77th Division pushed the Germans back and reached the “Lost Battalion.” Only 107 of them were left; and on the hillside were the remains of the D.H.4. Goettler had apparently been killed instantly, and Bleckley, hopelessly wounded, died before reaching a hospital. But their deed will live forever.

“Aid to the Lost Battalion”
Flying Aces, September 1933 by Paul J. Bissell

THIS week we present another of Paul Bissell’s covers for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the August 1933 cover Bissell put us right in the action with…

The Youngest V.C. Flyer

SOME wise man has said that to every man, once in life, comes his big moment. Then he must make a quick decision or choice and, whether he be king or peasant, the real man is judged by how he meets this test.

Such a moment came to Alan McLeod, the young Canadian flyer. Always he was in the thick of it, eagerly taking chances, thumbing his nose at death until that day in March, 1918, when he came face to face with his big moment, made his choice and, himself wounded, gambled his life a thousand times over to save a comrade already wounded almost past saving—gambled and won, and took his place among the “Incredibles” of the World War.

McLeod was just fifteen years old when the war began. Twice rejected because of his youth, he enlisted on his eighteenth birthday, in April, 1917. By July he had qualified as a pilot, and by September he was in England. When his squadron, the 82nd, was ordered to the Front, his Commanding Officer refused to take him along—again on account of his youth.

However, on Home Defense in England with the 51st, during a bitter duel with a Gotha over London, he displayed such heroism, although shot down, that Headquarters posted him to France with the 2nd Squadron, in November, 1917. This squadron boasted no fast pursuit ships, but was engaged principally in observation, bombing, and artillery spotting, and flew the Armstrong-Whitworth, a good ship for these purposes, but slow.

It was with this ship that McLeod went “a-hunting” beyond and outside of his daily routine, strafing the trenches, attacking troops in movement, machine-gun emplacements and batteries. No one had ever thought to attack a sausage in one of the old crates. Nevertheless McLeod coolly destroyed a German balloon and then, when attacked by a flight of Albatross pursuit planes, shot one of them down and held the others off, returning safely to his airdrome. Soon none but the most daring observers would fly with him, but there were always enough of these so that he did not lack for companions. Besides, he always brought them back—and how!

The morning of March 22, 1918, seemed to McLeod much like any other day. With Lieutenant A.W. Hammond in the observer’s cockpit, he had started out on a patrol to Bray sur Somme. He got lost in the heavy, low clouds but, at last finding a hole, he had dropped down to let his bombs go when a Fokker tripe rode his tail down from the same clouds. A half-roll saved him from the Fokker’s burst, and a zoom put Hammond in position to prevent that particular German from ever firing another burst.

But seven other tripes had come down after their leader and were now bent on revenge. Like red hawks they darted around the two Canadians, raking them with machine-gun fire from every direction until one, more daring than the others, dived in from the front.

McLeod beat him to the shot and Fokker No. 2 joined his leader far below. At that instant, however, McLeod felt his first bullet. One of the tripes, attacking from below, had put a full burst into the British machine. Hammond was hit twice, and the entire bottom of his cockpit collapsed. Then the gas tank burst into flames. The Armstrong-Whitworth plunged down, out of control, with McLeod dazed in the front seat, and Hammond clinging desperately to the rim of what had been his cockpit.

THE flames licked up, burning McLeod back to consciousness. To stay in the front seat was no longer possible. McLeod stepped out on the wing, reaching back into the burning cockpit for the controls and sideslipping the plane so that the flames were blown away from Hammond. Although two more bullets had found him by now, he succeeded in keeping the ship in fair control and getting rid of his bombs. The Germans were following the helpless Canadians down, pouring burst after burst into them.

Hammond now had three bullets in his body, while one arm hung limp. Almost unconscious, with his feet braced against the sides of the fuselage to keep from falling through the bottomless cockpit, he still had strength enough for one last burst at the Boche. Almost point-blank he emptied his drum into the nearest tripe. A burst of smoke and screaming wires told that Fokker No. 3 had joined the other two victims, crashing below almost at the same instant that McLeod, leveling off his blazing ship as best he could, piled up in No-Man’s-Land.

The crash threw them both clear of the wreckage, about ten yards apart in the middle of No-Man’s-Land, three hundred yards from the British trenches. For an instant they lay there, unconscious, but the Germans were already sniping at them and McLeod, who lay in a more exposed position, was roused to consciousness by a bullet nipping his leg. Rolling into a shallow hole, his senses returned, and with them came his “big moment.”

To stay where he was was impossible. The whole area was too much exposed. He must make the trenches. But outside lay Hammond, wounded, perhaps dead. Should he leave him and try for the trenches alone? In another instant he was out of the hole and at Hammond’s side. The poor observer was alive but completely unconscious, with six wounds.

How McLeod dragged and carried Hammond those three hundred yards he himself never knew. But the Tommies in the trenches saw him coming. They watched him as, inch by inch, he dragged himself and his observer across the torn earth, with the enemy raking him with bullets. They watched and helped all they could by laying down a deadly fire on the German trenches.

With just six yards to go, another bullet got McLeod, and the Tommies went over the top and dragged the two unconscious flyers in, still breathing—but not much more. All day they lay in those exposed trenches without medical aid. But the gods must have smiled, for they both got well eventually—Hammond to get a D.S.O., and McLeod the V.C.

“The Youngest V.C. Flyer”
Flying Aces, August 1933 by Paul J. Bissell

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ January 1937 cover, Mr. Blakeslee gives us a couple of Avia ’34’s trying to drive a bunch of Hawker “Furys” away from their Zeppelin base!

IN THE action on the cover, the reader will have no difficulty in discerning that a group of British ships are bombing a combined airdrome and dirigible depot. The green ships and the yellow plane are easily recognizable as variations of the Hawker ‘Fury,’ so we need give little of our time to them.

The plane in the upper left of the picture, however, is of a type not nearly so common as the others. It is an Avia ‘34’, if that means anything to you sky-hawks.

Germany, as you know, is exceedingly secretive concerning her air force and the new developments that she has undoubtedly made, so I’m frequently forced to ascribe to her ships which really are those of other countries.

Britain, of course, manufactures ships for a great number of countries. In fact, the green plane on the cover is a replica of a ‘Fury’ which was made for the Portuguese Air Force. The similarity existing between this ship and the truly British ships can easily be seen.

When we speak of European aircraft, we unconsciously think of the products of Great Britain, Germany, France and Italy, but strangely, the Avia with which we are concerned is the creation of none of these, but of tiny Czechoslovakia.

This country, of which we hear but little when the war drums throb in the sullen sky, is well equipped with beautiful, efficient ships of many varied types.

The Avia is a fighter of a single-seat type, and is powered by a 650 h.p. Hispano-Suiza engine of the latest design. It is unique in that it carries four machine guns,—two on the wings near the outer struts, which are not shown, and the usual pair,—one on each side of the fuselage. These latter two fire through invisible troughs.

This fighter has a speed of 200 m.p.h. at sea level and its service ceiling is 24,600 feet.

Fred Blakeslee

“The Hawker Fury: The Story Behind The Cover” by Frederick Blakeslee
(January 1937, Dare-Devil Aces)

THIS week we present “Niebling’s Phenomenal Feat”—The story behind Paul Bissell’s April 1933 cover for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the May 1932 cover Bissell presents the moment in the battle of Mauser raid where Raoul Lufbery became an ace!

Lufbery Becomes an Ace

“PROCEED to their objective, the Mauser Munition Works at Oberndorf; there drop their bombs at points most destructive to the enemy positions; and then return to their home airdromes.”

So read the orders for October 12, 1916, at all Allied airdromes located back of the front line and south of Verdun. Orders of Brass Hats, “—and then return”! What a chance! With the objective one hundred and fifty kilometers inside the enemy lines and the sky filled with Boche. Well, anyway, it would be a great show, and at least one pilot smiled, thinking that tomorrow might bring death, but most surely would bring the opportunity of becoming an Ace.

This was Sous-Lieutenant Raoul Lufbery, of the Lafayette Escadrille, with four official victories to his credit, who, with three companions, Lieutenants Masson, de Laage and Prince, had been ordered to fly guard patrol for the bombing planes and protect them from attack.

Arriving at the appointed rendezvous, they saw a sight then strange to any eye. Perhaps the largest concentration of air forces the world had yet seen was spread below them. Farnums, Breguets, Caudrons, Sopwiths and Nieuports, almost every type of plane yet developed by the Allies for work at the Front, was in this huge flying armada, which would strike desperately at one of the main centers of German munition supplies.

Turning east, the whole group passed through a terrific archie bombardment, but it was not until they neared Oberndorf that the real show began. Here the Germans seemed to come from all directions. A general alarm had been spread, and every available German ship had been pressed into service.” Single-seated scouts, double-seaters, and even big three-placers, planes seldom seen on the Front at that time, were massed ahead of the advancing bombers.

The larger enemy ships would charge in, boldly maneuvering to bring their swivel guns into play, only to find the sky suddenly raining lead as Nieuports and Sopwiths dived headlong from the blue, their guns blazing in defense of their bombers. Then flashes of crimson and black, as Albatrosses and Fokkers and Pfalzes attacked fiercely, striving to gain that deadly blind spot underneath the tail of the slow-moving bomber, or twisting and squirming to evade the fire of some Nieuport, and, by some quick renversement, bring the tri-colored cocarde full in their sights.

IT WAS from such a mêlée that Lufbery, pulling out for an instant to clear a jam of his gun, saw a German go down in flames before the withering fire of Norman Prince.

“Yeow! Number one for the Lafayettes! Good old Nimmie! Now for number two!” And he pushed his stick over. But that dive was never to be finished. At that instant a sudden impact in his cockpit told him that a German was on his tail. Instinctively he yanked his stick back hard against his chest. Up he zoomed, his head twisted around to find his enemy.

There it was, a huge three-place Aviatik, with three guns, and all of them’ blazing at him. A flip of his ailerons—a kick of his rudder—then down hard on his stick, and in an instant he was away from the fire of the Boche. A sharp climbing bank would, he thought, bring him back under the tail of the larger ship, but here the German pilot, an old hand at the game, was too crafty to be caught. Banking up sharply on his right wing he exposed Lufbery again to the open fire of his three gunners.

This was entirely too hot a spot to stay in, and Lufbery turned the nose of his little Nieuport sharply away, out of the line of fire, climbing rapidly to gain altitude, from which he might dive down on the larger machine. As he turned, a flash of red went by, followed by a streak of silver—de Laage on the tail of a Boche!

Now, below him, Lufbery could see the three-seated Aviatik, the gunners all set for his attack. Over he nosed his ship and hurled down at the enemy, but at the same instant the big plane banked around and he overshot his mark. In a fury he twisted back in a sharp renversement, this time approaching the plane from the most dangerous position, open to the fire of the gunners.

But the Germans were square in his sights, and straight on he flew, feeling a thrill as the pulsing guns answered to the squeeze of his hand on the stick. He could feel the German bullets spattering his plane. Another instant, and he turned to avoid a crash, just as the huge Aviatik, the pilot dead, slipped crazily off on one wing. A telltale whisper of smoke, and then a burst of flame as it headed down to where falling chimneys and bursting roofs showed that the Allied bombers had
found their objective with fearful accuracy.

THAT was one hundred and fifty kilometers inside the German lines, and it meant one hundred and fifty kilometers of scrapping to win their way back through. The Germans took their toll. However, it had been a great show, and very successful from the Allied viewpoint. Much havoc had been wrought to the munitions center, and the Allies, too, had taken their toll in German ships. Three more victories were to the credit of the Lafayette Escadrille, for de Laage had brought down his German also.

A happy reunion awaited them, had not Fate here taken a hand. The four pilots, blown slightly off their course, and running short of gasoline, were forced to land at the French field of Corcieux, a field strange to all of them. It was almost dark as they eased their ships down, and Prince, unaware of some high tension wires strung across one end of the field, crashed into them as he glided in. With characteristic courage he refused to have his comrades move him until flares had been lighted to prevent some other pilot crashing as he had done.

Two days later he died in the hospital. The famous Mauser raid was history. Lufbery was an Ace, and Norman Prince an international hero.

“Lufbery Becomes an Ace”
Flying Aces, May 1932 by Paul J. Bissell

THIS week we present “Niebling’s Phenomenal Feat”—The story behind Paul Bissell’s April 1933 cover for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the April 1933 cover Bissell put us right in the action as Lt. Paul H. Niebling shoots his Colt .45 at an oncoming Fokker while parachuting to the ground!

Niebling’s Phenomenal Feat

UNSWERVING and terrifying, like a messenger from hell, the red plane, its guns blazing, bore down on the hapless young American swinging dizzily in his parachute harness. He heard the whine of the German bullets as they whizzed by, cutting another of his shroud cords. He clutched desperately at one of the loose ends as the wind began to spill out of his chute, at the same time twisting in his leg straps to empty the rest of his magazine into the red machine as it roared by him in a wild zoom.

Five times the Colt .45 spoke sharply, and then the mechanism jammed . . . .

Less than two minutes before, this young American, Lieutenant Niebling, and his companion observer, Lieutenant Carroll, had been quietly watching the enemy positions from their basket, some two thousand feet above Maixc. Not a plane had bepn in sight. The clouds hung low. Then, without warning, nosing out of a cloud, its motor picking up with a full-throated roar, had come this red devil, spitting flaming bullets into the big silken bag above.

At Niebling’s command, Carroll had jumped. But Niebling, an old hand at the game, had decided to stick to the last minute. Three times before this, he had gone overboard as the balloon above him went up in flames. He was sick of just going over and putting up no fight. So this time he had swung out of the basket that he might be in the clear if he felt the whole balloon give suddenly, as it does when it finally explodes. He was determined to get in a few shots at the Boche before he let go.

So, as the red plane had banked up sharply and came back for another go at him, Niebling had freed his automatic. If only he could put a bullet in that damned red nose, that came on relentlessly, shooting flaming darts which bit into the silken folds above! Damn him! And Niebling’s automatic had pulsed as he squeezed the trigger. Like a trip-hammer he felt it kick in his hand. The plane, apparently untouched, had nosed up and put a last fierce burst into the big bag. “Great God, how futile!” had thought Niebling, and in anger almost threw the partly empty automatic at the German plane. A sudden return of caution, however, had warned him that he had hung on as long as he dared. He released his hold and dropped like a stone, turning over and over in his plunge down.

The first seconds of a jump, even to the most experienced old jumpers, are seconds in which life seems suspended. Whether or not it will go on depends on the chute. If it opens—good! If not—well, c’est la guerre. So with Niebling, for a few seconds life stopped.

He himself, when first at the Front, had seen a French lieutenant carefully tuck the parachute into its carrier, demonstrating just how it should be done, had seen the parachute attached to sand-bags placed in the balloon basket, had seen the balloon ascend three thousand feet. Then, from the ground, he had seen the bags pushed over the basket’s edge, drop and rip the chute from its container—had watched breathlessly and vainly for the chute to open, only to see those bags plunge three thousand feet down, to crash in a cloud of dust with the folded chute trailing hopelessly behind. Yes, sometimes it didn’t open.

But this time it did, and with a rush and a snap, life was on again for the young lieutenant, and he found himself floating gently earthward, still gripping his automatic. Above him, and to one side, his balloon, now a mass of flames, was falling slowly to pieces. The Fokker had swung off and was attacking the other balloons. Even as he watched, Niebling saw the second, third and fourth bag explode, and then the German banked up in a sharp turn and headed back toward him.

ONCE before when Niebling had been shot down, the enemy had returned to the attack and passed so close that the American had made some excellent snapshots of the German plane with a tiny vest-pocket kodak. This time, however, Niebling longed not for pictures, but for blood. So he had waited for the German to get closer. Already the fixed gun, shooting through the Fokker’s prop, flashed steadily. What a chance! Just a service .45 against a Spandau.

Yes, but if only he could get one bullet in the right place—one, just one! And Niebling’s teeth gritted as he squeezed the trigger and butt of his Colt. Five times the automatic spoke, square into the red body, so close now that Niebling could almost have touched it with a fishing pole.

That was the moment when the mechanism jammed. The plane, apparently untouched, turned and headed back toward Germany, while the American, cursing with rage, worked feverishly to clear his gun. Watching the fast-retreating Fokker, he saw something suddenly go wrong.

Slowly at first, then more rapidly, the plane headed downward. Quickly it was apparent that the headlong dive was uncontrolled, as if death’s hand were on the stick. The motor roared, pulling the ship into a tight spin from which it never came out. Twisting faster and faster, it finally crashed, burying its nose deep in a hillside.

Yes, Niebling got down. With the wind still spilling out of his chute, he landed fast but safely. Modest always, he says that he was never able to prove positively that his bullet brought down the German. But evidently America and France thought that he had done a good job, for First Lieutenant Paul H. Niebling, 1st Minnesota Field Artillery, A.E.F., attached to the 73rd Company, French Balloon Corps, today wears a D.S.C. and Croix de Guerre, with Palm for exceptional valor, and is, we believe, the only man of the war who, in a head-on duel in the air, with only a sendee automatic against a Spandau, came away the victor.

“Niebling’s Phenomenal Feat”
Flying Aces,April 1933 by Paul Bissell

THIS week we present “Downing the L-22″—The story behind the cover of Paul Bissell’s June 1933 cover for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the June 1933 cover Bissell put us right in the action As Galpin and Leckie’s Phoenix Cork flying boat is caught in the searchlights of the mighty L-22 Zeppelin!

Downing the L-22

FROM the very outbreak of the World War it was apparent to the British that with an aggressive foe only a comparatively few miles across the water from them, England would be subjected to constant and continued air raids. With this in mind the Air Ministry attempted to build up an adequate defense, but with aviation in its infancy, and no past experience to help them, this task proved much more difficult than was at first apparent. The inadequacy of the defense first built up was quickly evident when the Germans began seriously to raid England in the early summer of 1915.

Almost every dark night one or more of the huge Zeppelins would slip through the blackness, drop its bombs, and disappear again—untouched. To be sure, the alarm would have been given, and plane after plane would be up searching for the enemy, while the night would be pierced by hundreds of bright beams trying vainly to find the giant ships. Often the huge shapes of the Zeps, silhouetted against the lighted sky above, would be clearly visible to those on the ground, but quite invisible to those high in the air, groping vainly for them.

And even if spotted, the Zep was by no means an easy prey. It had a flying speed almost equal to most of the planes of that time, while its ceiling was higher than could be obtained by the majority of them. And, even if caught at lower altitudes, merely by dropping its water ballast it could rise with a rapidity that made pursuit almost hopeless.

It was well-armed, too. Machine guns were mounted in each gondola, and in the main cabin, while on top; of the envelope at either end was a gun platform.

To be sure, not every raid was carried out successfully, or without serious losses. The difficulties offered to the defenders of the British coast only served to increase the determination of the British pilots, and more than one story of dare-devil bravery and achievement crowned with victory was written in flames against the night skies above England, as some huge Zeppelin hurtled down through space to destruction, the victim of one of Britain’s air heroes—Robinson, Warneford, Tempest, Brandon, Cadbury — just to mention a few of them.

There was probably not a pilot who, no matter what his individual mission might be, did not hope that some time, slipping out of a blinding fog bank, he might find himself face to face with a Zeppelin. They perhaps said little about it, and daily carried out whatever job was assigned to them. But they quietly longed and waited for that day when fate would be kind and give them their big chance.

AND so it was with the crew of the Phoenix Cork flying boat, H12-8666, of the Great Yarmouth station. They had gone out to drop a few eggs on the enemy hangars over in Belgium, but on the way high adventure overtook them.

With Flight Lieutenant Galpin as navigator, and Sub-Lieutenant Leckie as pilot, they left Great Yarmouth station at three o’clock on the morning of May 14, 1917. Four one-hundred-pound bombs were strapped beneath their wings, and they carried three Lewis machine guns—a double one mounted in the forward cockpit, and one aft in the side door.

They had proceeded about eighty miles toward their objective and gained about six thousand feet of altitude when they plunged suddenly into a dense fog bank. Until now the. trip had been uneventful, just a careful watch out as they sped along, searching the scarcely visible horizon for the first suggestion of daylight. Now, however, there was no horizon, no top, no bottom—above, below, to either side—just a dark mass of nothingness through which they winged their way, guiding themselves only by their instruments.

Lieutenant Leckie kept the plane climbing gradually until he had finally reached an elevation of ten thousand feet, and figured that he must be nearing the Belgian coast. He cursed the thick fog that made him as helpless as a blind man. The blackness around had faded to a dirty gray, heralding the approach of day. Then suddenly, like slipping from a dark room, they shot out into the clear air. Off in the east, dawn pushed its long fingers up into the heavens. Below were the waters of the channel, still black as seen between other fog banks and huge cloud formations which extended interminably, billow on billow, off into the distance.

But straight ahead, and some six thousand feet below them, was a shape that sent the hearts of the Britishers into their throats. Scarcely visible in the early light, but with each second making their hope more and more certain, was the silvery shape of a German Zeppelin.

Instantly all thought of their objective was forgotten. Their big chance was here. Without need of a command, the pilot altered his course, and headed directly for the big ship. Galpin manned the forward twin gun, while Whatling, the wireless operator, manned the aft gun. With throttle wide open and nosing over slightly to gain speed, the flying boat tore ahead. Had the Zep seen them? Would she turn and run for it? Or would she ascend rapidly and wireless for help? Quickly they crept up. Only a mile separated them—then only half a mile.

On the side of the Zep the numerals L-22 and the Black Cross now stood out boldly. Then the Zep seemed suddenly to come to life. She changed her direction, at the same time dropping volumes of water as she discharged her ballast, and her nose shot violently upward. But Leckie had anticipated just this maneuver, and though he had sacrificed some of his altitude, he was still some five hundred feet above the Zep. Without hesitation Galpin dropped three of his four bombs. Every pound counted. Now they must have every bit of speed that was possible.

Already the Germans from the top platform were raking them with machine-gun fire. Then Leckie turned her over in one last headlong dive, pulling her up just under the rear fin and not forty yards from the back gondola. Immediately they were met by a terrific fire from the two gondolas. Bullets whizzed by, tearing pieces of fabric from their wings.

But now Galpin’s guns were also in action. Burst after burst of incendiary bullets he saw bury themselves in the rear end of the big envelope. Leckie piloted the machine skilfully, swinging from one side to another under the big dirigible, offering as difficult a target as possible and at the same time tipping up on one wing so as to give Whatling a chance to bring the rear gun into action.

The Zep was climbing rapidly, and Leckie strove desperately to hold his position in spite of the backwash from the German’s five propellers. Another burst of fire from Galpin, and then his guns jammed. Now they were in a perilous position. Scarcely twenty yards separated them from the German gondolas from which a withering machine-gun fire was pouring.

Leckie turned away to starboard to give Galpin time to fix his guns, intending to sweep around and come up under her again when the jam was cleared. But this was not necessary. Already a faint red glow was discernible in the rear of the huge silver envelope, where Galpin’s bullets had buried themselves—a glow which quickly increased as tongues of flame leapt out and swept upward.

For a few seconds the great ship hung quivering, then, like a meteor, rushed flaming down to the sea. Her engines, burned out of their fittings, dropped ahead of her, sending up great columns of water as they crashed. Then, with a hissing scream, the great burning mass plunged out of sight into the dark waters below. All that remained of the L-22 and its crew of twenty-five men was a patch of oil and black ash upon the restless surface of the channel.

“Downing the L-22″
Flying Aces, June 1933 by Paul Bissell

Eugene M. Frandzen painted the covers of The Lone Eagle from its first issue in September 1933 until the June 1937 issue when Rudolph Belarski took over with the August issue of that year. At the start of the run, Frandzen painted covers of general air action much like his Sky Fighters covers. Here, for the fourth issue from January 1934, Frandzen has a German Halberstadt smashing into the undercarriage of a French Breguet—with dire consequences.

The Story of the Cover

SMASH! A crackup in the air! That is the picture on this month’s cover.

A shaved second before the collision there were two trim ships battling each other high above the war-torn fields—two ships piloted by airmen intent on blasting each other into oblivion. Vickers, Lewis, and Spandau slugs have slashed back and forth across the heavens.

The big Breguet with its wing span of forty-seven feet is not as maneuverable as the small Halberstadt scout with a span of only twenty-eight feet. But the Breguet’s handicap is offset by its rear gunner, who has an office unequalled for visibility. On either side of his pit he has Cellon windows.

There is a hole in the floor that he can see through and fire through if necessary. Therefore the blind spot under his tail is not as vulnerable as in ordinary two-seaters.

A Dangerous Opponent

The small Halberstadt has had a taste of the observer’s fire when sneaking in from behind to make the hoped for kill. The ship the German pilot thought was an easy victim has turned out to be a dangerous opponent.

Twice the German pilot has barged in from in front. Each time a stream of Vickers’ slugs drenched his ship. One of those hot, whistling messengers of death has slashed into his shoulder. Not a fatal wound, but a painful one. A wound that causes his flying to become jerky and erratic.

Another Angle of Attack

Mad clear through from being bested in a sky duel with a lumbering two-seater the German pushes the nose of his ship down. He starts to slither out of the fight, then he suddenly changes his mind. There is one angle of attack he has not tried; that one is coming up under the blunt nose of the Breguet. Coming up with a brace of Spandaus churning out hot steel.

His Halberstadt shudders as he pulls it out of its dive into a loop. Up swings the nose. He presses his gun trips. A short stutter from one gun, then it jams.

The other gun is silent—its ammo exhausted. Then directly in front of his blazing eyes looms the undercarriage of the Breguet; six husky steel members holding the axle and wheels—the strongest under construction of any Allied two-seater. Too late the German yanks on the stick to pull out of danger.

And This Is What Happens

Smash—his prop chews into the tough steel struts. His top left wing snaps—rips off—his prop flies to pieces, as does the undercarriage of the Breguet.

Both ships will get to earth; but one will be a wingless fuselage holding a doomed German pilot. The Breguet, minus wheels, can come down under its own power, flatten out and take the ground on its chest. It will be a rough landing but it is a ten to one chance that those two Yanks will be in the air again in a few days. They will be on the job—looking for trouble and overconfident Boche pilots.

The Lone Eagle, January 1934 by Eugene M. Frandzen
(The Story of The Cover Page)

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ September 1936 cover, Mr. Blakeslee presents a couple Hawker Furys escorting a flight of Hawker Demons on a bombing mission!

THIS black and white drawing which you see above, is the English ship, the Hawker “Fury.” It appears on the cover as an escort to the Hawker “Demons,” towards which we have given much space in the past. The “Demons” of course, are doing the actual bombing. The “Fury” happens to be a single-seater fighter with a maximum speed of 240 m.p.h. at 14,000 feet. It is naturally a very handy crate with which to protect the bombing ships.

Now, I believe, is as good a time as any in which to answer the frequent question, “Why don’t you paint more American ships?” The answer, I believe, should be obvious.

America, of all the nations of the world, should be about the last to be drawn in a major war. We are less secretive about our military plans and aviation developments than other nations, and any information regarding our ships is readily available to the readers.

However, across the seas, such, unhappily, is not the case. War clouds hover constantly above the threatened capitals of Europe. And while no nation there will admit to thoughts of aggression, we are well aware that it might come any minute. I have a natural interest in the ships of the English, feeling that they are naturally our friends and allies. We know too, that they are as peace loving as we, but by the very nature of their geographical situation, are more apt to become involved in war than ourselves. Feeling that your interest naturally runs that way, I have tried to give you as much information on British ships as I possibly can.

You will also note that I have from time to time, painted the German ships of war. We all know of Germany’s gigantic military preparations; we know very well that she may become the bombshell that will once again rock the earth. What then is her equipment in the sky? Next month I shall try to elaborate on the German air strength, giving you all the information I can possibly gather. It must be kept in mind however, that Mr. Hitler and his aides keep their activities pretty much under cover. Once in a while, though, I manage to get a peek. And when I do, you can be sure that I’ll pass the news along.

Fred Blakeslee

“The Hawker Fury: The Story Behind The Cover” by Frederick Blakeslee
(October 1936, Dare-Devil Aces)

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ September 1936 cover, Mr. Blakeslee gives us his two favorite things to paint—planes and trains—in this case a couple Boulton Paul Overstrands attacking a train depot!

I DON’T know whether it makes much sense or not to tell the story behind this month’s cover, because action speaks louder than words, and all but the blind can see that a perfectly good piece of railroad is being blasted all over the premises by the sky raiders. Still, maybe we could use a little information on just what sort of ships these giant bombers are.

The big crates, coming in low, are Boulton Paul “Overstrands.” From the damage apparent on the cover and the bombing to be inflicted by ships we were not able to show, you can well imagine what’s going to happen to the enemy’s railroad. Of course, it is a practical military tactic, as old as warfare itself, to cripple your enemy’s means of transportation.

If at this late date, War should come to us again, and God forbid that it ever should, I believe this cover should give you some idea of what would happen. We have, for purposes of illustration, placed the “Overstrands” at a much lower altitude than they would really attempt. Were they actually to fly at this altitude, the terrific concussion that would ensue from the bombardment, might well put them out of commission. War is no longer a pleasant pastime, and the bombs to be dropped today are not precisely baseballs.

But suppose they were actually at this height—suppose this illustrated scene were actually taking place. At that altitude the ship’s speed would be somewhere around 160 m.p.h.—somewhat faster than the speed attained by the fastest, single-seat combat crates of World War days. The “Overstrand” is a bomber, pure and simple, but it is carefully protected by three gun positions, bow, amidship and prone. It can carry a load of 2,196 pounds, and its service ceiling is 22,500 feet.

Fred Blakeslee

“The Overstrand: The Story Behind The Cover” by Frederick Blakeslee
(September 1936, Dare-Devil Aces)

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ August 1936 cover, Mr. Blakeslee has painted a squadron of Fairey Hendon Night Bombers doing what they do best!

THE fortunate folk who’ve had a look at this month’s cover before the regular customers, keep reminding me that it looks like a bombing of the docks along the Hudson River, New York City. Far be it from me to bring such disaster to the fair City of New York, so you may be sure that the resemblance is quite accidental. As a matter of fact, the scene is laid nowhere in particular—my idea being to give you as interesting a cover with as much detail as possible. It looks alright to me. What do you think?

However, the bombers are the real McCoy. Should one ever chance to drop an egg on your peaceful residence, I’m sure all hands will agree that they are genuine. These are Fairey Hendon night bombers, designed for long distance maneuvers. It’s a low-winged cantilever monoplane with two Rolls-Royce Kestral Engines, capable of carrying a crew of five. The gunner, who has all the fun of releasing the bombs, is located in the bow, while the pilot sits comfortably, just forward of the leading edge of the wing. There’s another bomber amidship and one in the tail. This ship can also be employed as a troop transport, being capable of carrying up to twenty fully equipped men. Its span is 101 by 9 feet; its length, 69 by 9. All in all it’s quite a crate, weighing some 20,000 pounds, fully loaded. This is definitely the wrong package to be hit with, since it can travel at a terrific rate of speed. Just how fast, however, has not been divulged by the people who hold the secret. Hope you like it. Fred Blakeslee.

“The Fairey Hendon Night Bomber: The Story Behind The Cover” by Frederick Blakeslee
(August 1936, Dare-Devil Aces)

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ July 1936 cover, Mr. Blakeslee depicts a French Hanriot-Biche pursuit plane attacking a flight of German Junkers!

THE queer looking French ship on the cover is a Hanriot-Biche pursuit. As the student of aviation can readily see, this is an abrupt departure from the usual type of pursuit ship. Here, because the ship is a pusher, the cockpit is placed well forward in the bow, from which the pilot has a clear, unobstructed view. You have also noted, perhaps, that the radiator is even further forward than the pilot. This is permissible through the use of the air-cooled, 600-horsepower Hispano-Suiza engine. But probably the most unique feature of this odd ship are the two tail booms between which the three-bladed, metal propeller revolves. The Hanriot’s two machine guns fire from the bottom of the cowl.

The green ships are German Junkers, once used purely as transport planes, but now employed by the Rhineland as bombers.

“The Hanriot-Biche Pursuit: The Story Behind The Cover” by Frederick Blakeslee
(July 1936, Dare-Devil Aces)

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ June 1936 cover, Mr. Blakeslee has painted a couple of Bristol Bulldogs escorting a flight of Vickers Virginias!

THE two yellow ships on this month’s cover are Bristol “Bulldogs”. There are two types of this ship, both of them one-place fighters. One type is powered by a 450 h.p. Bristol Jupiter motor and has a top speed of 170 m.p.h. The other has a 645 h.p. Bristol Mercury motor, and can be pushed up to 230 m.p.h. This second ship is known as the Mark IV, and is the ship shown on the cover, escorting a flight of Vicker “Virginias”.

The Virginia has been a standard bomber of the R.F.C. for quite a few years. It’s two Pegasus L.M. 111 motors have a total of 1100 h.p. It’s speed averages about 125 m.p.h., and its service ceiling is 17,750 ft. The “Virginia” carries a crew of four, while one of its features, as you can readily see, is the tail cockpit— Frederick M. Blakeslee.

“The Bristol Bulldog: The Story Behind The Cover” by Frederick Blakeslee
(June 1936, Dare-Devil Aces)

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ May 1936 cover, Mr. Blakeslee has painted a flight of Hawker Demons bombing an enemy ammunitions dump!

ON THE cover this month, a squadron of Hawker “Demons” is bombing an enemy ammunition dump. Apparently the raid was a complete surprise, since no resistance was offered. But perhaps the enemy was expecting the raiders to come in from a much higher altitude. Whatever the case, the “Demon” was well suited to carry out a surprise attack.

Besides carrying its supply of bombs, it would give a good account of itself in a dog fight, since it was a two-seater fighter, the same type made famous by the never-to-be-forgotten Bristol Fighter. Speed, combined with a low altitude, probably accounted for the surprise. You see them streaking over their target at the maximum speed of 202 m.p.h. This, of course, is going some, especially when you consider that its “father,” so to speak, the Bristol Fighter, had a top speed of 125 to 130 m.p.h.

Obviously the dump is near the sea and the raid is enjoying the cooperation of the Navy. As you see, the ship in the foreground, banking around, is a fleet fighter —the single-seat Hawker “Nimrod”. This ship is slightly smaller than the “Demon”, but has the same 630 h.p. engine, along with a slightly greater speed of 206 m.p.h. Following the Nimrod is a Fairey “Fox”, almost identical in appearance. These ships have been shooting up the ground with great success, and are thinking about doubling the order.

“The Hawker Demon: The Story Behind The Cover” by Frederick Blakeslee
(May 1936, Dare-Devil Aces)

Frederick Blakeslee painted all the covers for the entire run of Dare-Devil Aces. And each of those covers had a story behind it. On Dare-Devil Aces’ April 1936 cover, Mr. Blakeslee has painted a flight of Gloster “Gauntlets” protecting a Handly-Page Heyford on a bombing mission!

THE STORY behind this month’s cover concerns the Gloster “Gauntlets”— and their particular job is the protection of a flight of “Heyfords” which has been sent to bomb an enemy drome. On the cover, the Heyfords have been shown at a very low altitude, so that we might also depict their target. But in reality, they would drop their eggs at no less than 10,000 feet. And at that height, would roar over their target at approximately 143 m.p.h., approaching their objective at a service ceiling of 21,000 feet.

For their protection, some ship had to be selected which would fly well over the Heyford’s maximum 21,000 feet, and be capable of a good scrap regardless of altitude. There simply couldn’t have been a better ship for this job than the Gauntlet, whose service ceiling is 35,500 feet! That is really going up!

At even 15,800 feet the Gauntlet’s speed is 230 m.p.h., and at this and higher altitudes, there is nothing with wings that can give it a decent scrap. At lower altitudes, however, the Gauntlet does not do so well, as its “Mercury” VI.S engine only delivers full power in the upper regions. But in power dives and fighting aerobatics, the Gauntlet is without a peer.

Note the sturdy arrangement of the wing structure, which places the question of wind rigidity beyond all doubt. In our cover, as may readily be seen, the Gauntlet has dropped down to the carpet to mop up the enemy ground crew with its Vickers, and to drop its four 20-lb. bombs, along with the larger shells being dropped by the Heyfords.

“The Gloster Gauntlets: The Story Behind The Cover” by Frederick Blakeslee
(April 1936, Dare-Devil Aces)