Oppenheim’s Detectives: Jonathan Drake, Ace Manhunter!
AN OVERWHELMING majority of Oppenheim’s pulp output were aviation stories, many featuring our intrepid trio, The Three Mosquitoes. In 1933, when the Mosquitoes were winding down their adventures in Popular Publications aviation magazines, Oppenheim tried his hand at a new genre that was very popular at the time—detective fiction. Over the next fourteen years oppenheim would produce eighteen detective stories for the some of the leading magazines in the field—Dime Detective and Dime Mystery Magazines, Popular Detective, Thrilling Detective, Thrilling Mystery, Black Book Detective, Detective Fiction Weekly, Strange Detective Mysteries and Phantom Detective—as well as even ghost writing a Phantom Detective story (”Murder Calls the Phantom” March 1941).
We’ve covered Dime Detective Magazine’s “Honest” Glen Kelsey and Thrilling Detective’s Dave Rogers, State Trooper…
This brings us to Jonathan Drake, Ace Manhunter, from the pages of Black Book Detective! Drake appeared in three consecutive issues of the Black Book, but the three stories were written by three different authors. Oppenheim wrote the first of the three stories which introduced the character. Drake was a world-renown criminologist frequently called in to work with the police on their toughest, most baffling cases! The details of these cases were recorded in huge black loose-leaf volumes—his Black Book of Crime!
Drake had been educated in both this country and abroad and possessed a working knowledge of many branches of science, medicine and the arts. He had been thoroughly trained in all types of physical combat and possessed an extensive knowledge of firearms—and an expert marksman with every type of lethal weapon,
Drake lived in what had once been a millionaire’s mansion on upper Fifth Avenue—and transformed into a complete miniature investigation bureau! There was an immense library whose walls were lined with bookshelves that extended from floor to ceiling with practically every bit of literature that had been devoted to the study of criminology. A teletype machine connected directly with police headquarters sat on one desk constantly ticking out all of the vital and routing information that was sent out by the teletype operators at Centre Street.
In another room on the lower floor of the house was a complete file of descriptions, fingerprints and photographs of most known criminals. While in a third room was a morgue of newspaper clippings dealing with all of the important crimes that had been committed during the past twenty years. The entire fourth floor of the house had been transformed into a complete laboratory where Jonathan Drake used all of the most modern methods in tracking down various clues!
Drake was the type of man who liked to surrounded himself with a staff of capable assistants. Men both old and young who had been trained to work under his direction, and who were always on call when he felt their services were needed, but it was upon young Tommy Lowell that Drake depended the most. Though just twenty-one, Tommy had been with the detective ever since Drake had started his career. At that time he had been an orphan newsboy of eleven who had become a friend of Drake.
The criminologist had legally adopted the boy, given him a good education, and Tommy Lowell had developed into an excellent assistant. Red-headed, freckled-faced, he was bright and quick-witted and learned swiftly. Now the two of them lived in the big house on upper Fifth Avenue with two servants who took care of the place. Here they devoted their time to a never ceasing war against crime!
The Death Chair Murders
OPPENHEIM jumps right in and gets the plot going with a grisley electrocution before introducing our hero (a page long descriptive that is repeated word for word in the second story by Donald Stuart (aka Gerald Verner)). When a second victim is found by a manhole still hooked to the city’s electrical grid and burning, Drake tries to find a connection between the two. This leads to four other men—all six had worked a number of years ago for the Triconi mob and now a shadowy Executioner seem to be exacting revenge for the mob—at least that’s how things appear. Will Drake be able to discern the motive behind the murders, unmask The Executioner, and save the lives of the other four men? Find out in Ralph Oppenheim’s “The Death Chair Murders” from the pages of the November 1938 Black Book Detective!
Cold Hands of Horror Reach Out for the Innocent Victims of a Specialist in Slaughter—and Jonathan Drake, New York’s Ace Manhunter, Speeds into Action! A Gripping Complete Book-length Novel of a Grim Executioner’s Vengeance Voltage!
- Download “The Death Chair Murders” (November 1938, Black Book Detective)
More from The Black Book of Crime
THE Black Book of Crime records the sensational, successful cases of Jonathan Drake—New York’s ace manhunter—who brings the latest scientific discoveries, plus his physical strength and consummate skill, to bear upon the lurking crimes that fester beneath the surface of the vast metropolis.
When Jonathan Drake arrived at Backwaters he was not looking forward to his visit with any degree of anticipation. He had no prevision of the tragic events that would take place—but he disliked the average week end house party. This, however, did not turn out to be an average week end house party. From the moment he entered the estate of Montague Hammond, theatrical producer, he was gripped with a strange sense of foreboding. There was death in the warm summer air, bitter hate in the glance of the week end guests when they looked at each other. Then—murder!
Venita Shayne, most beautiful of actresses, one of Hammond’s guests, was the first victim. She was found in the study—in a swivel chair by a writing table, one arm hanging limply at her side, the other, bare to the elbow, flung out across a blotting-pad. On the edge of the desk rested the platinum head, twisted half-sideways. When Drake examined the corpse, he was horrified. The eyes were wide and staring and suffused with blood; the fair skin blotched and mottled and of a horrible liver color. One glance was sufficient to tell him the truth—Venita Shayne—beautiful no longer—was dead!
Venita may have been the first to die—but she was by no means the last during that week end of horror! And it took all the wit and daring of Jonathan Drake to combat the diabolical killer that hovered over Hammond’s estate on invisible wings of menace!
Every page of THE WEEK END MURDERS is crowded with suspense, action and thrills. It’s one of the most baffling of all the cases chronicled in the Black Book of Crime!
WHEN Jonathan Drake arrived aboard the Griffholm in New York Harbor, he was expecting nothing more than a routine job of investigation into the business of a Winter Olympic Star Sports Group. He had no idea that before he reached the upper deck he would be faced with the fiendish murder of the piquant and attractive Scandinavian skating star, Svana Hanson.
She was found just inside the deck window of her cabin, with a knife buried deep in her heart. Evidence showed that the knife had been thrown from a sports deck on which scores of people were congregated. Some of them still engaged in a last game before docking, others lining the rails for a first glimpse of New York. The trail of bloody death moved along through the streets of New York, stalked the covered runways of Madison Square Garden, and then made a final rendezvous at Lake Placid’s winter sports center!
Every page of THE WINTER KING KILLINGS is crowded with glamorous action and spine-chilling thrills. It’s one of the most baffling of all cases chronicled in Jonathan Drake’s Black Book of Crime. You’ll grip the sides of your chair as you follow a sensational series of events to their breath-taking conclusion in THE WINTER KING KILLINGS!
Hero Wanted—Apply Within
BLACK BOOK MAGAZINE first hit the newsstands with the June 1933 issue. For the next six years, it tried different approaches to success. Issue one began with a featured novel and several backup short stories. The following year it started promoting “three new complete novels” in each magazine, but abandoned that approach after four issues. It then tried shorter novelets, combined with short stories. By April 1935, the magazine went on an extended hiatus to return in January 1936 with a “weird menace” approach with scantily-clad women in peril or skulls and severed heads on the covers before going on a break again.
The magazine returned in March 1938 and returned to form with hard crime. It now had one main novel length story and several support stories. In an effort to get readers to return month after every other month, Black Book decided to feature a continuing character in the main novel. First up—A.J. Raffels, the gentleman thief, a character created by E.W. Hornung. the brother-in-law of Arthur Conan Doyle. The Raffels stories, written by Philip Atkey under the pseudonym Berry Perowne, had been running in Thrilling Detective for the past two years in America and in the pages of The Thriller in England the previous few years before that. Sadly, Raffels only lasted two issues in the pages of Black Book Magazine. (Fear not, he would go on to run occasionally in Ellery Queen’s Mystery Magazine until 1983!)
It’s go big or go home, so next Black Book went with a super sleuth character—Jonathan Drake, Ace Manhunter! Ned Pines had three writers—Ralph Oppenheim, Donald Stuart (aka Gerald Verner), and Charles S. Strong—each write a novel using the character. They’d run them three consecutive issues and judge the results as they always did by reader reaction.
When you have read it, please drop us a line and tell us what you think of it. The readers of this magazine are, you know, its real editors—for your comments, suggestions and opinions, as expressed in your letters, fix our policies. So remember—the more letters, the better the magazine—and let’s have your views on Jonathan Drake and THE DEATH CHAIR MURDERS. Thanks!
I guess readers hadn’t quite embraced the Ace Manhunter as the editors had hoped and in the “Off The Record” column in the March 1939 issue, the editors were already promoting Rick LeRoy, famous globe-trotting detective by Barry Perowne for the next issue. Perowne’s LeRoy had previously appeared in the pages of The Thriller.
He lasted one issue, and it was in the issue after that, July 1939, that fate met destiny and Norman A. Daniels, writing as G. Wayman Jones, introduced readers to The Black Bat who captured the reader’s imaginations and would go on to appear in every subsequent issue until the end in 1953!
Next week: It’s Dime Mystery Magazines’ Daniel Craig, the bystander!